When seeking an agent or publisher for a novel, I participate in every twitter pitch party I get the chance to. So far, no one “like” or “heart” has landed me an agent or a book deal, but I still participate. They help me figure out what agents like the kind of stories I write, and it also helps me network with like-minded writers.
Events like #DVpit, #pitmad, #pitdark, #kidpit, #IWSGPit, #pit2pub, and a few others that I may be forgetting offer writers a chance to connect with the right agents and editors. However, you don’t necessarily need your pitch to get liked for that to happen.
This year, I used #DVpit as a deadline to finish editing my latest novel. I got my manuscript and query in good shape, but didn’t have as much time as I would’ve liked to perfect my pitches. I tweeted them anyway, and tried not to refresh twitter every three seconds.
I didn’t get a single agent like, but that night, I still sent out my first volley of 11 queries, and within two weeks, two of them turned into partial requests.
The agents may not have liked my tweet, but I saw the kinds of tweets they did like. I searched the feed using hashtags that were in my pitches.
For example, I searched #DVpit #YA #F #LGBT. I made a list of agents requesting those projects. Then I did the same search without the #LGBT and added those agents to my list. If reviewed their guidelines, and if I wasn’t familiar with them from my first three attempts to get an agent, I looked them up on Absolute Write.
I ended up with a long list of agents, and picked ten who didn’t require a full synopsis (because I hated and still hate my synopsis). After getting two requests and about 5 rejections from that first batch, I sent out another. Some of them were agents from my #DVpit list, some were agents I’d queried in the past, and others came from a #MSWL search.
In total, I’ve gotten 3 requests (1 full, 2 partials) and 11 rejections. I’m still waiting for a response on 10 more queries.
Those odds are not bad considering I didn’t get any likes.
With my other three manuscripts, I received lots of likes for pitches, some that evolved into requests, but none of them turned into an offer. However, one of these did indirectly lead me to NineStar Press, the publisher who I signed with for Power Surge.
NineStar didn’t like any of my pitches for Power Surge, but they did like a pitch for a different book. I queried them, and ultimately got an R & R. I still haven’t revised that manuscript, but I did send NineStar a dark fantasy novelette called Half-Breads, which they published as part of their Halloween story, an urban Snow White retelling they accepted for Once Upon a Rainbow 2, and Power Surge, the novel that is nearest and dearest to my heart, and rejected by over 100 agents.
Had they not liked my #DVpit tweet for the other book, I might not have known they existed. And that would’ve been said, because some of the best book’s I’ve read this year were ARC’s I reviewed for them. Through NineStar, I’ve also connected with an amazing community of writers who have helped me boosted my confidence, hone my craft, and even feel more comfortable with my gender identity. Words can’t express how grateful I am to have found them.
In general, I’ve also built my twitter network though pitch contests. If someone’s pitch sounds really cool, I follow them. Sometimes, nothing comes of it. Other times, they and I engage with each other’s tweets, encouraging each other, offering advice, and boosting posts. Some even become beta readers or cp’s.
Getting agent likes are a big part of pitch contests, but they are not the whole story. If you have an eligible manuscript, pitch it on twitter, follow the feed, and think of it as a way to engage with a community. Think of these contests as opportunities to learn and network, and look at the potential for agent requests as a bonus. Celebrate when you get them, but don’t be discouraged if you don’t.
P.S. If you write dark fiction check out #pitdark, which is happening tomorrow. #PitMad is June 7th, so put that one on your calendar and polish your pitches.