Reflections on My First Two Book Events

This week, I attended my first two book-related events as an author: a book talk / signing at Jabberwocky Books and the Merrimack Valley Halloween Book Festival.

For someone with lots of social anxiety, planning, committing too, and/or attending events is no small feat, but somehow, I managed to set up a launch event and sign up for a book festival.

After convincing myself that one event or another wasn’t going to happen, they did. I did my talk and signing at Jabberwoky. I sold books at the festival.

I learned a few things.

43950609_10214216395229934_1937355220606517248_nFor first time authors, launch events are really for family and friends. Unless you have a fascinating non-fiction topic people want to learn about, if they don’t know who you are, they are probably not going to take time out of their Friday night to listen to you talk about your book. That’s my theory, anyway.

On the other hand, my family and friends showed. They were super excited to be there, to have me sign a copy of Power Surge, and to congratulate me. I was the only one that seemed disappointed that there weren’t any “strangers” in the audience.

It is a lot easier to stand at a podium and talk to strangers than it is to talk to people I know.

The book festival wasn’t any different than the craft fairs I attended back when I sold sea glass jewelry. A lot of people attended, but there were also a lot of vendors. People walked by the table, picked up books, said good things about them, and walked away, saying they needed to look more before buying.43880502_10214220942663617_5203961892581670912_o

90% of people who say they will or might come back do not.

I brought about fifty copies of Power Surge and sold three. I brought ten copies of Drabbledark and sold four. At craft fairs, I’d have at least fifty pieces of jewelry, and I’d sell somewhere between four and ten pieces.

I made some mistakes:

  1. As usual, I left something I needed at home.
  2. I arrived at the venue with just enough time to set up, but not enough time to take a breath between set up and people walking in.
  3. I had to make three trips to the car because I brought too much and it wasn’t packed up efficiently.

These three mistakes are ones I made early in my craft fair and flea market days.

It wasn’t all a disaster. I remebered to get plenty of one dollar bills, so I could make change. I brought snacks, and ALL the pens and sharpie I needed.

Next time, I won’t let anxiety and imposter syndrome stop me from preparing. I’ll pack efficiently, and get everything ready the night before. I’ll have a larger variety of items.

I’ll be ten times more confident.

 

IWSG Day: Writing Through Life (and doggy drama)

Writing Through Life (and doggy drama)

Insecure Writers Support Group BadgeThe first Wednesday of every month, the IWSG posts an optional question, encouraging members to read and comment on each other’s blogs.

October’s Question is:

How do major life events affect your writing? Has writing ever helped you through something?

My answer is yes.

Major life events can affect how frequently I write, how coherent that writing is, and sometimes, even the content of my writing.

When I’m stressed, anxious to the point where I can’t even think about going to bed at a reasonable time, writing is the only thing that keeps me going. When my spouse goes to bed, I’ll sit up at the kitchen table with the cat at my feet, frantically writing until two or three in the morning. The sentence structure and punctuation might be more off than usual, but it is also when I can actually write emotion, show characters feeling things.

With Power Surge, the book that took a decade to finish, life events and revelations about my self shaped how I finished and revised the novel. In fact, one could say it was a major life event that lead me to finish it in the first place: I finished a different book. And I finished that book because it was the only way to get through a few months of very high anxiety.

Whether it was Power Surge, or one of my yet to be published manuscripts (Song of the Forest, Like Birds, or Earth Reclaimed), my novels, and my numerous short stories, have all helped me coped with anxiety, depression, or whatever my brain throws at me.

This summer in particular, writing helped me deal with a stressful neighborhood situation. The two people who live on either side of me both have dogs. One dog is female, yellow,  and about 45 pounds (the same size as my dog). Tavi, my pup, was still a baby when the yellow dog came to the neighborhood, and I swear she thinks she is his mother, at least she protects him like a mother dog would protect her puppies. To the other side of me is an 8lb ball of yapping energy.

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Tavi

This was not a good combination. One day, the little dog chased Tavi out of my yard and into her driveway. I thought Tavi had been tied to the trailer of the boat I was cleaning, but I had never actually clipped his 15-foot training leash to anything, so as he ran, that dragged behind him.

Tavi stopped and play bowed, possibly oblivious to little dog’s ruffled fur and bared teeth. Yellow dog charged out of her yard and down the driveway, grabbed little dog, and pullled her away from Tavi.

Little dog got hurt.

And for the next month, neighborhood tension grew as yellow dog’s and little dog’s owners passive aggressively argued over whose dog should be leashed and who was responsible for the vet bill.

Literally and figuratively, I was in the middle of it.

It was summer, so I wasn’t working. Yellow dog’s human, also a teacher, wasn’t working. Little dog’s owner, a national grid gas employee, was on strike and eventually, locked out.

I wrote.

In one month, I wrote a 20,000 novella and revised it three times. It wasn’t directly about what was happening in the neighborhood, but in one scene, a similar incident occurred. The main character was dealing with the same kind of mental health problems as me.

I haven’t looked at the story in a while, so I can’t confidently say whether or not it was good. But after proof reading the third draft, I remember thinking it was fantastic, and that it was the most emotional piece I had written since Power Surge.

 

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 Power Surge buy links:

  • Amazon Kindle: https://amzn.to/2RoANiQ
  • Amazon Paperback: https://amzn.to/2xWqpqp
  • Barnes & Noble: https://www.barnesandnoble.com/w/power-surge-sara-codair/1129616729
  • NineStar Press: https://ninestarpress.com/product/power-surge/
  • Smashwords: https://www.smashwords.com/books/view/897512

Power Surge by Sara Codair [Book Spotlight – Urban Fantasy / YA / Non-Binary]

Thank you Matt Doyle Media and IndigoMarketing for hosting my release day blitz! Check it out for an excerpt, book description, and a chance to win a $10 NineStar Press gift certificate.

Matt Doyle Media Dot Com

Title: Power Surge

Series: The Evanstar Chronicles, Book One

Author: Sara Codair

Publisher: NineStar Press, LLC

Release Date: October 1, 2018

Heat Level: 1 – No Sex

Pairing: No Romance

Length: 79700

Genre: Paranormal, fantasy, urban fantasy, Demon hunters, Angels, Demons, Elves, mental illness, non-binary, pan, YA/NA

Add to Goodreads

Synopsis

Erin has just realized that for the entirety of their life, their family has lied to them. Their Sight has been masked for years, so Erin thought the Pixies and Mermaids were hallucinations. Not only are the supernatural creatures they see daily real, but their grandmother is an Elf, meaning Erin isn’t fully human. On top of that, the dreams Erin thought were nightmares are actually prophecies.

While dealing with the anger they have over all of the lies, they are getting used to their new boyfriend, their boyfriend’s bullying…

View original post 1,474 more words

Pulp Appeal: Beowulf (Guest Post by Sara Codair)

An article I wrote for Pulp Appeal:

Broadswords and Blasters

(Editors’ Note: Sara Codair lives in a world of words. Writing is like breathing; they can’t live without it. Sara teaches and tutors writing at a Northern Essex Community College. They live with a cat named Goose who likes to “edit” their work by deleting entire pages and a dog who limits their screen time. Their short stories were published in places like Unnerving Magazine, Broadswords and Blasters, Alternative Truths, and Once Upon a Rainbow II. Their debut novel, Power Surge, will be published by NineStar Press on Oct. 1, 2018. Find Sara online at https://saracodair.com/. Twitter: @shatteredsmoothFacebook: https://www.facebook.com/saracodair1)

Hwæt!”

It’s time to unlock my word-hoard and take “Pulp Appeal” back to the days of the mead halls and scops.

proxy.duckduckgo.com Editors’ Note: The Heaney translation is editor and poet Cameron Mount’s favorite, but even so it doesn’t hold a candle to the…

View original post 972 more words

The Evolution of a Character (or a career)

I’ve lived my entire life with characters and stories in my head. Some were as original as anything can be while others were fan-fictions that never escaped my maze of a mind long enough to be put on paper.

After watching  Xena: Warrior Princess, I’d run around the house with music blasting. The living room would fade as I retreated into my head where I reimagined the episode with myself, or a character based off of myself, involved in some major way. If no one interrupted me, I’d plot out the next episode and the next. Each would steer further from the plot, featuring more of me and my made up characters and less Xena and Gabrielle.

TV shows and movies never failed to rev up my imagination, but they were not my only source of stories. Songs, fears, news, and my contorted perception of reality  were compost to my imagination’s produce.

For all the stories I dreamed while running and dancing, I wrote sporadically, scribbling ideas in journals and penning poems for school assignments. As much as I loved making stories, the creative part of my brain rarely worked unless my body was moving.

So the characters stayed inside me. To an extent, they grew with me.

They evolved.

Terrifying magical adventures involving waterfalls, brain-altering head injuries, supernatural relatives, and a fair amount of time travel shaped them into distinct people that had less and less in common with me as time went on.

Mel Aesthetic
An aesthetic I made for Mel (Amelia)

They reproduced like cells.

 

As the adventures piled up an they grew more and more complex, sometimes, they split into two or three different characters.

Yes, some of them had things in common with me, but none of them were me. I no longer had a version of myself that popped into tv shows and fan fiction. I had a cast of distinct , developed characters trying to claw their way out of my head.

Ari. Amelia. Elle. Erin. Lucy. Michael. Sam.

There are more, but some of their names have faded from memory even if their personalities haven’t.

I started writing. I had to. My brain would’ve exploded. Reality would’ve shattered. Something bad would’ve happened.

At first, writing came in short bursts. Stories would fill a notebook on rainy summer days or cold winter nights. Senior year of high school, I wrote and illustrated the first twenty or so pages of a centaur portal fantasy. Freshmen year of college, I wrote the first act of a screen play. I started a novel. I wrote a short story. Started another novel.

Each time I wrote, the characters that grew up with me appeared in the story along side new faces. My burst of writing grew longer each time they happened.

When I was 26, on a cold October night when I couldn’t sleep, I started the longest writing spurt I’d ever had, meaning it hasn’t ended. In one for or another, I have written every day since then.

Monochromatic #ThursdayAesthetic
Power Surge aesthetic 

Characters and pieces of stories coalesced into novels.

The characters continued to grow through the whole process.

Now, I’m proud to say that the world gets to meet two characters that have lived in my head under one name or another for most of my life.

Erin and Mel (Amelia) debuted in notebook pages. They solidified in a screenplay. Bloomed in a mess of a half of a book I started in college. They slept for decades, through short stories and a paranormal suspense.

They slept but the they never left. Their identities evolved with mine.

Erin’s mental health deteriorated with mine. When I discovered the words and concepts that I could use to finally explain how I felt about my gender, Erin used those words too

I could tell you what Mel or Erin had for breakfast on any given day. I could tell you about their first kisses, their greatest fears, most embarrassing moments, successes and failures. The last mountain they skied. The last trail they hiked

People always ask me how I keep it all in my head, if I had spreadsheets and pages of notes.

PowerSurge-f500
Cover Art by Natasha Snow

When it comes to the Evanstars? I didn’t need those things. I  internalized world and most of it’s inhabitants long before I started writing. I have drafts and short stories and micro stories and poems.

I have dreams.

These characters own a piece of me.

They are pieces of me.

Their stories will always live in my soul, but if I have readers willing to read, then I will write and write in this universe as long as I can.

 

I just hope that when readers meet them on October 1st, they love them as much as I do.

Add Power Surge on Goodreads

Pre-order the e-book from NineStar Press

Publishing Paths: Roads go ever ever on (I hope).

Insecure Writers Support Group Badge

I’ve missed a few months, but today, I realized it was  Insecure Writer’s Support Group Blog Hop Day before the day was over. The first Wednesday of every month, the IWSG posts an optional question, encouraging members to read and comment on each other’s blogs.

September’s Question is:

What publishing path are you considering/did you take, and why?

When I got serious about my writing, the publishing path I always imagined for myself was a traditional one. Get an agent. Get a deal with a big publishing house. Eventually, make money off of my writing.

I’d been writing on and off for along time, starting projects and never finishing them, until one November, my anxiety got so bad that I could hardly breath at night when I went to bed, let alone sleep, so I got up and I wrote. I wrote about the things that scared me, that kept me up at night and triggered my anxiety. After a 200,000+ word draft and more words of backstory and world building, I swore I was never going to let anyone read that book, opened a file for an untitled book  I started back in 2007, and decided I was going to finish it.

Not only did I finish it, but over the next year or two, I revised it about ten times. Meanwhile, I wrote and published flash fiction and short stories. By the time I was consistently getting paid for my short fiction and had truely lost count of just how many revisions a book that had morphed from “The Erin book” to “Inattention,” I decided I was ready to start querying agents.

I researched queries and agents, I bought a copy of  Writer’s Market’s 2016 guide to Literary Agents, wrote a query, had my critique parter and critique group read and sent it off. By my second batch of queries, I changed the title to Power Surge. If you read any of my posts or tweets about my publishing journey, then you probably know I made all the newbie mistakes. My query was too long. It had too much backstory. It made the characters sound passive.

My attempts to personalize queries were horrible mostly because I didn’t have a person read every single personalization, and I have a problem with proof reading. I can print something out, read it out loud, read it backwards or out order, I can apply every known proof reading strategy and miss some ridiculous typo, especially if I haven’t taken my ADHD meds. When I queried Power Surge to agents, I wasn’t on them at all and hadn’t yet discovered how much they could help me edit.

I still miss typos, especially on last minute blog posts like this one. I got some requests and over 100 rejections. I was probably up around 120 when I’d had enough of querying agents. Some people would’ve shelved the book at this point, but Power Surge was my baby. In the time I had been querying it, I’d finished a 3rd novel and turned my 200,000 monstrosity of a first book into a decent draft of a 87,000 word supernatural thriller.

More importantly, I believed in Power Surge and needed to find a home for it. I some ways, it was the book I always needed and never had. It embodied elements of my favorite writers, but had the mental illness rep that was missing from my favorite books, and had a main character I poured a little too much of myself into.

PowerSurge-f500I revised one more time, trimming the book and brining Erin’s non-binary gender identity out of the shadows just a little, and queried small publishers. Within a few months, I had two offers and signed with NineStar Press. They’re traditional in the sense that they don’t charge writers anything, have a talented in-house cover artist, and do very thorough editing. However, there is no advance, and while they do some online marketing, its up to me to book events and get into brick and mortar stores.

It’s not the traditional “Big 5” debut I dreamed about, but its a start. I have a fantastic cover and an editor that really gets the book.

Editing  Power Surge reminded me just how much I love the characters and world it is in, so now I’m back to drafting the sequel even if it does mean putting a revision of my YA space opera on the back burner for a little bit. The Evanstars are calling me, and I feel like if  I don’t head that call, my writing will suffer all around.

In the long run, I still want an agent and a chance to get a deal with a big publishing house. Some people tell me this will be harder now that I’ve published under my legal name with a small publisher. Others have told me this isn’t a problem. Either way, I’m going to keep writing, revising and editing. I’m going to keep putting my work out there.

For now, i’m content with as long as I don’t have to pay to have my book published, get great covers and professional edits, but I will never stop trying to break into the big leagues of publishing.

For now, you can help me out by adding  Power Surge to your “to-read” list on Goodreads. Or Pre-order it from NineStar Press.

Power Surge (Evanstar Chronicles)

Novella Review: Darkling


Darkling by Brooklyn Ray

My rating: 5 of 5 stars

Today I wanted to read something a little longer than a short story, but I didn’t want to commit to a novel because I needed to get some writing done. I had an ARC courtesy of the author, so I could read and review the sequel, Undertow.

I enjoyed the writing in this book, how beautifully emotion was conveyed, and how Ray handled having a trans main character.

I loved that Ray didn’t make the book about the mc’s gender — it was a magic, witchy romance where the lead happened to be trans. The character’s identity was present enough for the reader know he was trans, to see how it shaped his view of the world and relationships, but it didn’t take over the plot. As a non-binary person, this is the kind of representation I seek out, even if it isn’t exactly my identity on the page.

I almost didn’t read this book because it was labeled as having explicit sex and as erotic romance, and lately, I just haven’t felt like reading books with a lot of sex. I’m glad I picked this one up anyway. There were three, maybe four scenes of explicit sex, but they weren’t gratuitous. They were so tied into the characters’ growth and development that they felt necessary and this particular story wouldn’t have been the same without them.

I do have to say, while the elemental magic was pretty awesome, my favorite piece of the magic system was the trees.

I’m looking forward to reading Undertow!

View all my reviews

Book Review: Given To the Earth by Mindy McGinnis

Given To the Earth (Given Duet, #2)Given To the Earth by Mindy McGinnis

My rating: 4 of 5 stars

Given to the Earth is a continuation of the events in Given to the Earth. I’ll refrain from describing the plot in this review because I’m not sure I can do so without spoilers or copying too much for the blurb.

On the sentence level, the writing was lovely. I never had trouble picturing anything, and felt every time the writer stopped to describe something in detail, it was relevant and layered with meaning. However, that wasn’t enough for me to be drawn in the book like I expected to be.

As much as I loved the cast of the Given Duet, I had a hard time getting into Given to the Earth. I wanted to spend more time with the characters and to find out what happened to them, but the short chapters quickly jumping from one character to the next made it hard for to settle into a rhythm and engage with the story.

I also found I had a hard time keeping track of who was narrating when and found myself flipping back to the beginning of chapters (at least with the first half of the book) to remind myself who was narrating. I always knew when Khosa or Dara was narrating, but there were a few instances where I thought I was reading Vincent but after a couple paragraphs, realized it was Donil when he said Vincent’s name or thought about his sister, Dara.

However, when I was a little over half-way through the book, that problem stopped. I found the rhythm of each characters voice and the rapid fire switching from one narrator to the next became a good thing because I wanted to know how everyone’s narratives fit together and how a string of good and bad decisions were going to play out in the end. I was engaged with the narrative that couldn’t fall asleep and got up to finish the book.

As I got closer to the end, I realized that this book was doing something that I love and hate: showing how dozens of decisions each characters make turn into mistakes because of their timing and a lack of communication, bring the characters so close to what could’ve been a peaceful or happy ending (for most of them) only to have it completely turned over by one thing that they overlooked.

There were a few surprises along the way, mostly, the narrative ended exactly how I knew it would and hoped it wouldn’t. It became too familiar. There were a few moments where I was thinking things like “ok I guess ___ had to ___ in order for ___ and ___ to have a happy ending” but after a good night’s sleep and reflection on how this compared to the book I read before it, I realized it didn’t have to end that way. The author could’ve broken the trope and come up with a more creative ending were more people live happily with each other. I know this is vague, but being any more specific would mean spoilers, which I don’t want to include.

Given to the Earth may not be the best sequel I’ve ever read, but if you read Given to the Sea and enjoyed it, this is still worth reading. It’s well written and well paced once you get into the rhythm of the narrators and their voices. And if you’re okay with teary traditional endings to fantasy novels with almost Arthurian love triangles, them maybe you won’t have the same problem with this that I did.

View all my reviews

Cover Matters Part 2: Making A Book’s Cover Art

In my experiences with small, independent publishers, making a cover is a collaboration between the author and/or editor and artist.

With NineStar Press, I experienced the cover making process as an author for one book. With B Cubed Press, I was the cover artist for three books: two multi-author anthologies and one sing-author poetry collection.

Getting a Feel for the Book

In order to start designing, the artist needs to know a few things about the book.

At NineStar Press, the process started me with (the author) filling out an information form. I included my blurb and pitches for the book, which served a double purpose. They gave the artist a feel for the story, and they was also for their publisher to use on their website and on retailer sites.

The second part of the form was specifically for the cover artist. I was asked to describe the book’s physical setting and the time period it was set in (if it wasn’t a secondary world). I was asked to use three adjectives to describe the mood or tone of the book. Another set of questions focused on the main characters – their physical appearance, age, gender and orientation. The form asked if there were any significant symbols or images repeated throughout the book. All of these helped the artist come up with a concept that would accurately reflect the book and it’s characters.

But that wasn’t all. The form also allowed me to include links to three covers I liked and had a section at the end where I could write about additional characters or describe a concept I had in mind. Surprisingly, I didn’t have a specific idea of how I wanted the cover to look, but I did know what I didn’t want: lightening. My novel isn’t the only Power Surge and I wanted it to stand out among other search engine results. Since most of the other books bearing that title featured some kind of lightening, it was important that my book didn’t have lightening on the cover.

With B Cubed Press the process the process was less structured. They needed a new cover artist for their Alternative Theology anthology, so I used the description on the call for submissions to draft a cover to propose. After committing to that cover, I was asked to do one for After the Orange and a poetry collection.

With After the Orange, I did read the blurb that had accompanied the submission call to get started, but Bob Brown, the founder of B Cubed Press, sent me an email describing the tone of the anthology and sent me an image he wanted to use on the cover.

For the poetry collection, the author sent me a selection of photographs to choose from, a detailed description of the collection’s tone, and the title poem.

While one process was very structured and the other more open and free-flowing, at this stage, the cover artist’s job was to familiarize them with the book and the authors desire for the cover.

Drafts and Revisions

After reviewing the information provided about the book, the artist sends a draft cover.  This wasn’t a polished product; it was more of a mock up to see if the artist is on the right track.

When I saw the first draft of my cover for Power Surge, I loved the color theme, the background, and the font, but the model just didn’t look right. She was too feminine, more like one of the minor characters than the main character, and looked more like someone in their mid-twenties than a high school senior. I replied saying so.

Later that day, I got a second version with a different model. This one had the right tom-boy appearance, but they looked even more mature than the first model. I sent some photos that I hoped would give the artist a better idea of what I was looking for, but they weren’t able to use those for legal reasons. While studying the draft, I saw a watermark. The pub don’t buy the photos until they know are going to use them – so I went on the sight they buy their photos from and found images I thought would be a better representation of my character. I sent those links, and the artist chose one of those. I may have overstepped my place a little there, but something had been miscommunicated in my info form, and I needed to make the artist had got the character right.

PowerSurge-f500This time, when I saw the cover, it was almost perfect. Initially I asked for two more changes, but I was told one would make the cover to busy. I trusted the cover artist with that decision, and the other, a minor adjustment to proportions, was an easy change.

In the end, the model on the cover had the look I pictured for my character. The hair color was wrong, but they had a hat on, so it worked out. Erin, the main character in Power Surge, never wears a hat in the book, but neither does my favorite fiction wizard.

Power Surge (Evanstar Chronicles)

This back and forth process happened when I made covers for B Cubed Press, although I lost count of how many times I went back and forth. It wasn’t because the editors were picky but because I was a newer, less experienced artist.

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With After the Orange, it took several attempts to get the tone right. Towards the end of the process, when the authors got a sneak peak of the cover, a few suggested the cover was too subdued and needed more cover to make it stand out on the shelves. I made more changes, and when I finally sent that version back, it was just what they were looking for. Afterwards, I had to fine tune the font size and layout to make sure it would all fit properly and not get cut off.

Althernative Theology KindleWith Alternative Theology, I had a better grasp on the theme, but my original idea of having a stained glass background made the cover too busy, especially when trying to fit a snowflake on the cover. It’s part of B Cubed Press’ brand, especially where their “Alternative” titles are concerned. After a few back and forth with a more tame, purple background, we found something we were all happy with.

The poetry collection was the most straight forward. My first cover looked a little too much like a mystery novel, but I got the concept right on my next try, and from there, it was fine tuning the font, placement of the title, and layout of the back cover.

Once the covers were approved by editors and authors, they were ready to share with t

he world.

Final Thoughts

The processes at NineStar Press and B Cubed Press were similar at their core, but different on the surface. Since I’ve only worked with two publishers, I can’t comment on whether or not this is how it works other places. If you’ve worked with different publishers, feel free to comment on how your experiences were similar or different.

Book Review: ECHO Campaign

ECHO Campaign (The Isolation Series #2)ECHO Campaign by Taylor Brooke

My rating: 5 of 5 stars

ECHO Campaign is the second installment in the Isolation Series. A twisty plot, beautiful prose, and a ton of tension made this book fly by.

In the first book, Omen Operation, the characters were on the run. In Echo Campaign, they’re caught, adapting to life in and plotting to get out of a secret training facility. I felt like I was trapped in the facility with characters, but no matter how things got for the characters, even in the darkest pages of this book, there was beauty lurking in the heartbreak and shadows.

Every character is oozing with emotion. Every interaction was loaded with tension.

I am usually good a predicting plots and twists, but I kept finding myself surprised thinking, “I didn’t see that coming.”

Aside from explosive rage, I have little in common with these characters. For example: I kept thinking things like “how can people touch each other so much? Does anyone have that much sex?” I didn’t see myself much in this book, but I’m kind of an anomaly anyways. I seldom relate to characters in books. I still enjoy them. If I’m reading a well written book like this, it doesn’t matter if I see myself in the characters or not. The writing transports me into their mind. The details connect me to the characters and make me root for them.

The one flaw that jumped out at me was the size of the cast. I kept mixing up who some of the characters were. Brooklyn and Gabriel were always clear. While Porter and Dawson had different backgrounds, sometimes I’d forget which name belonged to which backstore though I remembered quick enough after a sentence or two with a name in it. The other omens blurred together when I read. Maybe they wouldn’t have if I had read slower.

There was too much suspense to read slower.

Haven’t read Omen Operation yet? Make sure you do before diving into ECHO Campaign!