I received a copy of Eclipse the Skies from NetGalley. I was excited to read this sequel, but it took me a little longer than I expected to really get into it. I was about half way through before I reached a point where I really did not want to put it down.
What I liked most was the character arcs. Eclipse the Skies seamlessly picked up where Ignite the Stars left off, and I really enjoyed seeing how characters grew and changed as the story continued.
I got a little annoyed at one point because I thought some kind of a love triangle was forming. While there is absolutely nothing wrong with love triangles, I’m just not a big fan of them. Thankfully, this didn’t really turn into a love triangle, and it did add some depth to the characters.
Another thing I liked about this novel was how the narrative explored some moral and philosophical questions through plot and character decisions. If I were to ever use this in a class, I would be able to get some interesting discussion prompts out of it.
The worst thing about this book was the way it ended. I won’t go into detail so I won’t spoil it. I’ll just say this: I kind of understand the author’s choice, but as a reader, it was not what I wanted.
I like happy endings. I want to know for certain that all the main characters to survived. The end of Eclipse the Skies was hopeful and well executed, but it was not exactly the happy ever after or happy for now type ending I personally enjoy most.
Back in January, I was browsing my favorite bookstore and came across The Sisters of the Winter Wood. I’d heard about and seen this book on Twitter and couldn’t resist buying it even though I had gone in to pick up a different book that I had special ordered. I never leave a book store with just the one book I went in for.
This one was definitely a good impulse buy.
The Sisters of the Winter Wood is about two sisters, Liba and Laya, discovering who and what they truly and how their identities affect their relationship as sisters. Liba’s chapters are told in prose, while Laya’s are in verse. Not only did this keep me alert as a reader, but it also ensured I never got confused about who the narrator was.
Considering how in the author’s note, Rena Rossner, says this was in-part a retelling of Goblin Market, that format was a great choice for this book. Like Laya, the verse chapters were airy and musical. Like Libba, the the prose chapters were more grounded and earthy.
This book’s greatest flaw was it’s beginning. The first page or two were fascinating. The next 50 or 60 pages were stuffed with telling and exposition. Very little happened. I am the type of person who likes to read books almost straight through. On Tuesday night, I put this book down around 10 p.m. and went to sleep. I didn’t pick it up again until Friday because at that point, not enough had happened for me to get truly invested in the characters.
The beginning also fell into a trap that a lot of historical fantasy does. It goes a little overboard with the world building, especially when it comes to the gender within the period and place. It was great that eventually, a lot of the men turned out to be decent people, but there was so much emphasis on gender roles and relations in the beginning that I thought all the men were going to be a lot worse, and honestly, a lot of build up t really didn’t seem relevant by the end.
It was 100% worth slogging through the begining to get to the rest of the book. The tension and growth between Liba and Laya was fantastic. They each had their own delicious romantic subplot with someone they didn’t think their parents would approve of, and I wasn’t quite sure how it was all going to work out.
The dark, cold, forest setting was as enchanting as the goblins and shifters haunting it. And once we were past that initial info dump, there was a perfect blend of history and magic.
I learned a lot about Jewish culture of the time and place the book was set it, which according to the author’s note, was on the border of Ukraine and Moldova around 1904. The building antisemitism in the town, and the way it hurt the characters, was a tangible thing. It made me uncomfortable times, but in a necessary way. Scenes where characters are being harassed or slurred at are supposed to make a reader uncomfortable. If they don’t, something is wrong.
The Sisters of the Winter Wood is a beautiful novel filled with magic, tension, darkness, and plenty of opportunities to learn. I highly recommend it.
Some of the books that made me fall in love with the genre of urban fantasy were set in actual cities, or I guess, technically, they’re not really those cities but alternate magical versions of them. The Dresden Files was set in Chicago and Greywalker was set in Seattle, so I when set to write urban fantasy, I also choose to set my books in alternate magical versions of real places.
As a reader, I prefer urban fantasy settings grounded in the real world, but not fully limited by it. I want there to be some recognizable landmarks for the city the story takes place in, but I also don’t want the setting to adhere to strictly to reality because then it doesn’t feel enough like fiction.
I write the type of books that I want to read. So when I write urban fantasy, there are usually some landmarks with real life counter-parts that exist along side a plethora of completely made up ones.
In Power Surge, the school Erin and friends attended was completely fictional, but one of the battles happens at Portland Head Light. The characters go in made up shops and restaurants, but those are within the confines of Portland.
I don’t put actual business in the story, though generically named places often bear some resemblances to my favorite eateries even if that was never my intention.
Good food sticks in my unconscious, and writing first drafts is a lot like dreaming. The worlds of my urban fantasy novels wind up littered with almost-Doppelgängers of my favorite restaurants.
Legal and ethical issues aside, I don’t use exclusively real settings because I feel too limited if I can’t completely make up certain aspects of a place, like the staff, the decor, and the restrooms.
However, a recent afternoon spent in Portland reminded me this balance is a tricky one to maintain, and I didn’t do quite as a good a job with it in Power Surge as I thought I did.
I’d been to all places that inspired my setting many times before I wrote the scenes that happened there. Years ago, shortly before and while I was working on early drafts, I frequented downtown Portland as well as the beaches and light houses around it.
Unfortunately, there was a large gap between those visits and the final revisions and edits of the book.
Google maps, even on satellite view, is no substitute for actually going to a place, walking around, taking pictures, smelling it, hearing it, and taking it all in.
I’m certain that in the early drafts, my description of places with real life counterparts, the ones that ground the fantasy, were very accurate. I’m not so sure I’d say that about the final version. I’m not way off, but when I think about how I described Portland Head Light and Crescent Beach, I realize I made them to small. I didn’t take the parking lot gates into account when my characters visited at night.
How did this happen?
I revised my descriptions of the “real” settings the same way I revised descriptions of fictional ones, and wasn’t careful enough to make sure I was staying true to the place.
To readers who have never been to the places in the book, it won’t matter. However, if someone who frequented them picked up, I fear some inconsistencies with reality might yank them out of the narrative.
“That parking lot is way bigger than you described!”
“If it was ten at night, the gate would have been closed.”
This is the danger of mixing actual landmarks in fiction. You may start with a light house or beach readers could visit, but if you are not careful enough, you may edit that place away from it’s real life counterpart without even realizing it.
In some ways, that is for the better. I’m writing fiction, and no matter how much the Portland Head Light in my book may or may not look like the real thing, at most, it is a Doppelgänger. The setting of the book isn’t reality but an alternate version of it. Still, I don’t want to confuse or alienate local readers.
I’m not sure if I’ll change how I handle settings in urban fantasy, but I need to be more careful. I need to approach revision differently in those sections. I need to really be aware of how much time messes with my memory.
Have you ever used real cities or landmarks in your books? Why or why not?
In The Seeds of Dissolution William C. Tracy does a fantastic job weaving the Dissolution universe together. Every little detail of the world the story took place in was so real and flushed out that it felt like it could be coexisting with reality right now.
The diversity of species and their genders was my favorite aspect of world building. Not all creatures in the universe were limited to binary genders like humans. Some had third genders. Some were genderfluid, switching back and forth between not two but four pronouns.
The whole concept of seeing symphonies and using them to manipulate things like sound, wood, bodies, and even space was also fascinating. I haven’t read a book with a magic (?) system quite like it. I added the question mark because the people who use the symphonies think of themselves as scientist, though to Sam, who is new to the world, and a reader like me, it seems like magic.
As far as characters go, I could relate to Sam and his anxiety. I think we are triggered by the same things. Even though my sometimes anxiety manifests in different ways, Sam’s really seem authentic.
However, I thought the message the book sent about medication bordered on dangerous. Sam’s brief mentions of it were about how it made him feel were negative. It sounded like he was given some kind of sedative — one type of medication used to treat anxiety, and that had tarnished his opinion of all medication.
It’s okay to have one character with that opinion, but then the one who was a psychologist looked down on the idea of medicating anxiety, though in her case, she used the symphonies, not pills, to treat Sam. She called it a bandaid, and its effects reminded me of self-medicating with alcohol so I didn’t have panic attacks at a wedding.
Numbing anxiety with alcohol is a bandaid. Most doctors and psychologist I’ve met see medication is a tool. It should take the edge off of anxiety so a person can get to the root of its cause and learn how to properly cope with it. This perspective was not offered, and I don’t think there was any acknowledgement of the fact that not every anxiety treatment makes everybody feel the way Sam described.
If I had read this book back when I was in my teens or early twenties, it would’ve added fuel to my resistance to medication — something I needed to get my anxiety under control — something I wish I had tried sooner.
The saving grace with this book’s portrayal of treating anxiety is that it painted talk therapy in a positive light.
This above issue was really the only problem I had with The Seeds of Dissolution, and is the only reason I gave it four stars, not five. Everything else was fantastic!
I loved the dynamic between Rilan and Origon! There personalities were different but compatible, and the tension between them has me hoping something happens between them at some point in the series.
And the twins. They are adorable, and so is their relationship with Sam.
The plot had a slow build at times, but in a good way. I never lost interest. I had time to linger with the characters while they struggled, triumphed, and failed. Not every story needs to hurtle ahead at breakneck speed, and with The Seeds of Dissolution, the pacing and the story were a perfect match.
If you are looking for a book with secondary world setting and a wide range of LGBTQ+ rep, then check out the The Seeds of Dissolution.
A few months ago, Meerkat Press had giveaway running: sign up for their newsletter and get a free ebook. I signed up and got a copy of The Year of the Knife It sat on my kindle for a while, on my growing list of things to read. After a big stretch of reading YA, I finally wanted to read something “adult” again, so I picked up this. I started it just before dinner and finished a little after midnight. I loved the explosive magic, a hard boiled lesbian witch main character, and the fast paced plot with a mostly well set up twist.
The magic system in the book was my favorite kind.It had well established rules, limits and costs, and an almost mathematical set up, but the way the author showed it on paged in a way that didn’t bore me with the technical details of actually showing all the calculations. There would be a sentence or two more focused on what was going through Sully’s head while she did calculations, but the reader didn’t actually see the numbers or symbols.
Speaking of the main character, Sully, is quite the badass. If you ever read the Dresden Files, picture if Harry Dresden and Karin Murphy were actually one character only more Irish and queer.
Throughout the book, Sully is following a string of murders where victims don’t stay dead. The middle of the book, when Sully is knee deep in zombies and demons, was my favorite part. Sully was strongest when her back was against the ropes and she was grasping for leads.
The opening wasn’t fantastic, but it did its job. It showed Sully’s strength and battle madness with one serial killer hunt, set something up for the end, and then introduced the case shortly after.
I was a little disappointed that the one non-binary character, the only character with a they/them pronoun, was in the book for a few pages then died.
There were frequent mentions of the sexism the Sully faced, but it never seemed to affect her much, and just seemed there for the sake of being there.
Most pieces of the twist and the end were well set up for, but a couple things seemed a little too convenient, and one thing I was expecting never happened, even though a few things early on almost promised me it would. Still, there are two more books in the series, so perhaps some of the breadcrumbs left uneaten are just setting up for things yet to come. I’m willing to wait and see.
I really am looking forward to the next installment in this series, which comes out later this year.
I love how Vasya resists the gender roles of her time, how she grows into herself and figures out who she really is. Her persistence, pain, wildness, courage, and dedication are tangible things. I loved struggling and succeeding and navigating a myriad of complicated relationships through her point of view. Morozko was my second favorite character, perhaps made more intriguing by the fact that readers really did not get to see much from his point of view. The others were okay, but every time the narrative shifted to them, I just wanted to get back to Vasya.
I did find myself annoyed at the way the book shifted point of view. This varies from reader to reader, but I prefer to read from one point of view for a whole chapter and get annoyed when scene breaks indicate a switch in point of view. On more than one occasion, I found myself rereading to remind myself which character’s eyes the world was being filtered through.
The world building was fantastic. I was smelling, tasting, touching, seeing, and hearing right along with the characters. And it wasn’t boring or overwhelming. Every detail Arden chose to focus on was relevant and added to the tone or mood of the scene. I loved that the magic system and creatures were based off of actual myths, and that some of the characters were named after people who actually existed and fought in a battle the one in the book was based off of.
One downside of historically accurate fiction is that it is often loaded with sexism and misogyny the contemporary world is struggling to shake. Throughout this trilogy, were there was no shortage of sexist men treating woman like inferior beings or objects. However, I was happy that there were less of those in this book and that Vasya had earned the respect of men who previously looked down on her.
As much as I enjoy escaping to worlds without sexism, to worlds where gender isn’t a rigid binary thing people are judged by, I do believe there is plenty of room for those books to co-exist with novels like this that don’t censor the shitty parts of history. Historical fantasy has it’s value too. It makes me appreciate how far society has come.I’ll certainly miss Vasya, Morozko, and their complex, slow burn romance, but I’ll look forward to reading whatever Arden writes next.
Thankfully, I’m a fast reader, and this was a fast book (in a good way).
So, what is the story?
A group of teens who just failed out of an elite space academy survive a attack that takes out their classmates, flee the system, and fight to stop the terrorists from killing more people.
Said group of teens is pretty awesome.
The narrator, Nax, is a bi pilot coping with anxiety from a wreck he was in a few years ago. I loved seeing how he decided to say things that made him seem like a classic, cocky, hotshot pilot while being very scared and insecure. I was rooting for him from the start, and loved his interactions with a crew that was diverse in terms of gender, sexual orientation, race, and nationality.
Terrorist attack aside, this future was super optimistic.
For the most part, humans weren’t fighting each other. There was peace on Earth and in the “the colonies.” Most people were getting along…except for this one group that wanted to kill everyone…but that group was a small portion of the population. Most groups got a long way better than they do today.
The word “colonies” made me cringe a little the first time I saw it on the page, however, it’s un-inhabited planets, not cultures and people, that are being colonized. This universe is similar to the one Firefly was set in, where humans have found habitable worlds and terraformed others to make them habitable, but have not yet discovered other sentient life in the galaxy.
I also loved how the book handled diversity. It wasn’t about diversity. It wasn’t about being bi, muslim, trans, black, gay, white, or straight. It was about teens trying to save the galaxy. Their identities were part of them, added richness to their personalities, made them unique, and made them feel real. The book gave me hope that one day, things like racism, transphobia, islamophobia, and homophobia will be things of the past. This future is the kind I seek out in science fiction.
I’ve read books like this before, that do all the amazing this one does, but most of them have been from small presses. I’m happy to see that larger publishing houses are finally catching on.
2018 is just about over, and while it may not have been my most fruitful year for producing new work, it was a fantastic year for publishing. My first novel was published. My short fiction and poetry appeared in nineteen publications
I received a free copy of this from the author in exchange for a fair, honest review.
If you are looking for a quick, fun read, then I highly recommend reading Seven Things Not to Do When Everyone’s Trying to Kill You.
Bryant Adams is a goofy narrator who likes to break the fourth wall. In Book 1 (How I Magically Messed Up My Life in Four Freaking Days) he gets a magic smart phone, finds out he is a wizard and and wrecks awkwardly funny teenage havoc in New York City. Now, in book 2, ( Seven Things Not to Do When Everyone’s Trying to Kill You) he has learned a thing or two about magic and had plenty of time to recover from his first ordeal. Of course, that quiet can’t last forever.
Someone, or several someones, are out to get Bryant. He has to figure out who is trying to kill them while dealing with parents who have united for the first time in a long time because they both want to keep him away from magic. Except his enemies will come for him grounded or not.
Saying anything more specific than this about the plot might become a spoiler. With the book moving so fast, I didn’t really notice the plot building. There were plenty of battles, but it all blended together and then all of a sudden it was the final battle, which seemed to easy. This was fun to read, but it was also a bit anticlimactic.
Everything else about the book was great. The voice is sweet and goofy. The dynamic between the characters was energetic. I love how light-hearted this is even with life or death stakes. I read a lot of angsty, drama ridden stories (and maybe write them to). This was a nice break from those.
The characters may not change a whole lot throughout the book, and it may not have an in-depth exploration of any serious social issues, but I’m okay with. Not all books need to be deep, dark, and philosophical.
There is something optimistic and innocent about Bryant Adams. If you want a cheerful, laugh out loud romp of a read with plenty of magical battles and a teeny tiny little bit of kissing, read this.
When I want to buy books as gifts for friends and family who love to read, the trickiest part is usually figuring out what books they haven’t actually read yet. Going into a book store, whether it be my local indie or a Barnes and Noble, I always see books from the big names and the same big publishers on the shelves.
If I’m buying a book as a gift, I don’t want to buy something the person already has. I want to get them a unique gift; something I know they haven’t read but might become one of their new favorites.
The best way to do this is to steer clear of the big names that dominate the shelves in bookstores and to turn to the small press’ whose books stores often hesitate to take a chance on or just never discover.
Here are eight great books you might not find on the shelves of your local shop:
The Ardulum series is one of my favorite space operas and would make a great gift for anyone who is a fan of Firefly. Complex, colorful characters, fiber based space-ships, original aliens, and a traveling plant make this book truely unique.
If you know a teen who loves urban fantasy, this hilarious, high stakes romp through a magical version of New York City might be the perfect the gift! It reminded me a little of Sherrilyn Kenyon’s Infinity or a goofy, male-narrated cross between Tithe and a pg-13 Deadpool.
Omen Operation is the first of three books in the Isolation Series, which the author describes as a cross between Resident Evil and X-men. If you know someone who likes contemporary science fiction with lots of action, lots of kissing, a wide range of LGBTQ+ representation, and complicated characters, Omen Operation will make a great gift for them.
If you’re searching for a gift for an adult reader who likes magical realism, Kurt Vonnegut, and/or Martin Millar, I recommend Smoke City. Rossen “blurs genre and literary fiction” with reincarnation, road trips, alcoholism, and mysterious smoke ghosts.
Phaethon mixes Eoin Colfer’s Artemis Fowl series with Holly Black’s A Modern Faerie Tales series and makes it a standalone book for adults. It’s a perfect gift for fans of urban fantasy who enjoy seeing faeries wreck havoc in the modern world.
When it comes to adult readers who like spies and science fiction, I recommend Seven-Sided Spy, a cold war era novel with a super-soldier and survival plot that appeals to fans of Agents of Shield and Peggy Carter.
Last but not least, I have to plug my own book. Power Surge is great for older teens and young adults, especially those who enjoy dark urban fantasy. Readers of Jim Butcher, Cassandra Clare, and Holly Black will definitely enjoy it!