A Baby Shower I’m Not Dreading

Baby Showers are at the top of the list of torturous, anxiety-triggering social obligations I can’t always get out of. However, for the first time maybe ever, I’m actually looking forward to one.

What is different about this one?

Two things:

  1. The parents chose not to find out and reveal the baby’s sex.
  2. It’s a co-ed event.

Very few people understand why I hate showers so much. Women who don’t like showers or who have social anxiety think they understand. They don’t. Social anxiety is definitely part of it, but not more than it is part of things like house warning, weddings, funerals, and birthday parties.

The last time I walked into a baby shower, I literally felt like an alien. I may have been born with a female body, but I have never felt like a woman inside. Online, I call myself non-binary or gender-fluid, but I almost never talk about this with people in the face to face world. Anxiety silences me nine out of ten times I could broach the subject with family and friends.

I’m not going out of my way to hide it. I just can’t talk about it out-loud.

I never feel like i belong at ladies-only events.

Thankfully, this shower isn’t one.

However, there is another reason I’m looking forward to this one: No one knows what the baby’s sex is.

At all the past shower’s I’ve attended, the has mother known, so before the baby is even born, people are forcing gendered stereotypes on them.Girls are pretty,princesses, clad in pink and flowers. Boys are handsome princes, ladies men before they can walk, wearing blue, clothing decorated with tools and trucks. The kid wasn’t even born and was already being told that girls are pretty and fragile like flowers where boys are tough and practical.

It will be refreshing to see what people gush over when they can’t lump the yet-to-be-born child into the girl or boy piles.

This time, when I was shopping, I didn’t feel like I was being subversive or grumpy for going out of my way to find gender neutral baby clothes, or for just buying diapers without even looking at the registry.

I still bought diapers, because babies poop a lot. Every new parent needs diapers.

However, I actually had fun looking at baby clothes. As I scrolled through  Star Trek, Deadpool, Game of Thrones, Doctor Who, and Harry Potter themed onesies, I laughed. I smiled. I had fun thinking of how the parents would react to opening a shirt inspired by their favorite characters. I was shopping for things the parent’s liked without worrying about gender stereotypes.

Let’s face it, no matter what sex babies are born, they all go boldly with maxim effort in their diapers.

Whether you have a boy or girl, poop is coming!
 

Note: This post is just my opinion about baby showers. I am not saying everyone has to agree with me or hide their baby’s gender. I am not in any way commenting on how people should raise their children.

 

 

 

Cover Matters: Part 1

I love the saying “don’t judge a book by its cover” because so many things are not what they appear. A restaurant with a run down front may have the best food in town. A person’s physical gender may not reflect whom they are inside. A great book might he hiding behind the worst cover art ever.

Books are judged by their covers.

If I am browsing books, whether it is in a store or online, without knowing what I’m looking for, the cover is what will make me slow down and read the blurb. I’ve always known covers are important, but it wasn’t until I was knee deep in the world of indie publishing that I realized just how vital a good cover is.

 

Screen Shot 2018-08-11 at 6.32.56 PM.png
A screen shot of cover’s on NineStar Press’ home page on Aug, 11, 2018. The day I wrote this post, not the day I first found the website. 

Covers matter: I’ve judge whole publishers by them.

 

After deciding to start querying my novel, Power Surge, to small publishers, there were many other factors that went in to picking which publishers to query, but cover art was a big one. Did the covers catch my attention? Did they all look the same? Were they more than just some font slapped over a photo? Did they relate to the content described in the books blurb?

Almost two years ago, NineStar press requested one of my manuscripts through #DVpit. The first thing I saw when I opened their website were covers for their new releases and for books that were coming soon. I liked what I saw: lots of color and unique font. It only took a quick glance to decipher which books were romance, fantasy or science fiction. Had I landed on a page filled with awful covers, I might not have gone on to do more research, submit my book, get revise and resubmit, shelve that book, send them something completely different, and have it accepted.

Covers matter: They keep me motivated.

Copy of Like Birds.jpg
Like Birds was my first NaNoWriMo win. I’ve revised the cover as many times as the book. Currently, the book is shelved. 

 

The first time I officially participated in NaNoWriMo and created a profile for my project, I was surprised to see a place to upload a cover. Why would a book that hasn’t been written need one? Not wanting to leave it blank, I threw something together, and then I understood. The cover wasn’t fancy or professional, but it was a concrete image – a mock up of what a story could be if I got it out of my head and onto a page.

Now, when I write a first, I stop and make a cover at the first sign of being stuck. When I revise the draft, I make a cover to reflect revisions. Sometime, if I have an idea for a book but am not ready to start, I make a cover for it. At first, my covers were terrible, but they got better, especially when I forked out the money for a Photoshop subscription.

Covers matter: They pay.

Every awesome book cover is made by someone. If the person who they made it for has any scruples, then said artist is getting paid for their work.

For me, cover art started out as pure hobby, but as of right now, I’ve gotten paid to make three of them. It started earlier this summer when Bob Brown posted on the B Cubed Press Projects page that he needed someone to make cover art for Alternative Theologies.

Theology A ModernI was very excited about the anthology. The story I was writing for it wasn’t coming along very well. I drafted a cover for it, emailed it to Bob, and after a discussion about possible revisions, I was “hired.”

It was a long process, at least as time consuming as writing a story, if not more so since more than a couple things had changed in Photoshop since I got out of photography. And while I was pretty good at designing e-book covers, setting the guides and formatting covers for print was a different story. But I did it.

In the end, my story got rejected, but my design is on the cover of a book that is #1 in specific categories on amazon. How much of it is the cover and how much the amazing collection of stories? I can’t say. I like to think it is a little bit of both.

Covers matter: My book has one that I didn’t make.PowerSurge-f500

AS much as I enjoy making covers for my works in-progress, I did not have the opportunity to make my own cover for power surge. That is a good thing.

Of all the books I wrote, I never came up with a concept I liked for power surge, but Natasha Snow, the brilliant person who does the covers for NineStar Press, came up with something much better than I could have.

The only flaw was that she didn’t have access to an image of a model with both the right hair color and body type as the main character in Power Surge. After looking through images NineStar had access to, I suggested model wearing a hat.

When I saw them on the cover, I knew I made the right decision.

Erin never wears a hat in the book.

Harry Dresden never wears hats either, but he wears one on every cover of the Dresden Files.

Covers matter: They make me smile!

Check back in a few days for a post about the process of making covers both from my experiences as an author and cover artist.

 

 

 

 

 

 

What I’ve Learned About Pacing from Writing Five Novels.

Pacing is important with any work of fiction, whether it is a novel or short story.

If it’s too slow, readers might get bored and stop reading. If it’s too fast, they might get lost and stop reading. However, thinking too much about it when writing your first draft won’t really help. Work on the pacing when you start revising.

Finding the right pace for a story is part of the writing process. I go through several rewrites and revisions before I get it right.

Back when I was drafting my first two novels, I thought I had to more or less write out every second of the character’s life during the time frame of the novel. Thankfully, with both books, the whole plot took place over a few days. As it was, I ended up with a 130,000 word first draft of a young adult novel, and over 200,000 words for my adult novel.

When I had a friend read the YA novel, she got bored quickly while following the character through 30 or 40 pages of school. Stuff only happened on maybe five of those pages. She told me the descriptions of every hallway, desk, and teacher really weren’t relevant.

She was right. Irrelevant descriptions and conversations bogged the pacing down so much that she lost interested before anything happened.

It took over ten revisions to get the pacing (and other things) right.

First, I went through and cut out scenes that I wrote for me as I was getting to know the character. I cut descriptions of places that appeared once and never came back. I made sure all the description and imagery I kept added something to the overall mood and revealed something about the narrator even if it was very subtle.

However, the most important step was making sure each chapter had a hook at the beginning and end, as well as its own complete arc. I did one revision that just focused on this. As I read each chapter, I summarized it in a few sentences and explained what it contributed to the plot. This helped me see the picture and plan what I needed do to each chapter.

I ended up cutting entire chapters, removing characters from the story, and moving the climax so it happened sooner and just scrapping a whole sequence of unnecessary fights from the end of the book.

To test my work, I asked critique partners and beta readers to let me know when they got bored or bogged down.

Eventually, I got the novel down to about 71,000 words. Each chapter had an arc. There was enough description for the reader to picture the setting without slowing the action. That description set the mood and even helped readers get to know the character. All that meant that the readers stayed hooked. They didn’t get too bored or too lost.

The process of starting with too much happening to slowly, then cutting back and changing things worked well. That novel is under contract with NineStar Press and scheduled to come out in October.

However, it was slow, tedious process, and I’m an impatient person. Now, I seem to have the opposite problem.

My last two novels started as drafts I banged out in four to six weeks for NaNoWriMo and Camp NaNoWriMo. They short and rushed, skipping over descriptions and the types of scenes I thought I’d just end up cutting.

Having to go back, add more details, and slow things down was the same amount of work, if not more work, than having to cut thousands of words from the manuscript, and during the process, I was not nearly as invested in the characters and world as I had been with my earlier works.

Currently, I’m submitting pieces novel-in-progress number five to a critique group. Even though I go through each chapter and fill in the gaps I see before sending it, I’m still getting feedback from readers saying it moves so fast they struggle to follow transitions, can’t fully picture things, and don’t know the characters enough to really care much about what happens to them.

In early drafts of books four and five, the overall plot and arcs are much clearer than they were in books one and two, but that doesn’t matter if the readers don’t care about the characters and get lost in the transitions between scenes.

Thinking I learned enough from my first books to know what scenes will get before I write them was a bad idea. All it accomplished was producing a book that moved so fast readers couldn’t get into instead of one with fully fleshed characters moving at a snails pace.

After drafting and revising five novels, I’ve learned that pacing isn’t something that I should think about while writing my first draft. It’s something that happens in revision when I have a concrete grasp on the characters, plot, setting, tone, and story. The pacing develops as I examine each chapter under a microscope and then look at how it fits in the big picture. Seeking feedback from critique partners and beta readers, and then listening to them when they say where they got lost or bored hones the work’s pace.

In order to have a well paced novel, writers need to be patient. They need to trust their process and not rush it.

 

 

Book Review: Our Dark Stars by  Audrey Grey and Krystal Wade

Click the image to find Our Dark Stars on Amazon.

I received a copy of “Our Dark Stars by  Audrey Grey and Krystal Wade on NetGalley in exchange for a fair and honest review. A combination of the cover, the pitch “Firefly meets Sleeping Beauty” caught my attention, so I requested the book. I enjoyed reading it, though I don’t think it lived up to being compared to Firefly.

The chapters alternate between Will and Talia’s points of view. Will is captain of a scavenger ship trying to regain his place in the military after letting a rebel ship getaway. Talia is an exiled princess who spend 100 years in a cryo-pod after her family was defeated by rebel mocks. The mocks are androids whose artificial intelligence evolved until they were sentient, human-like beings.

As Will decides what to do with Talia and she comes to realize that the roles of humans and mocks have reversed in the past 100 years, the book did raise some interesting questions about AI and ethics, contributing to a conversation science fiction novels have engaged in for decades. While I enjoyed that aspect of the book, I was a little let down by plot and character.

Talia was too much of a cliche modern princess — arrogant and tough. Will was also a stereotype captain who didn’t quite have the same vibrant personality as someone like Mal or Han Solo or Peter Quill. His crew was interesting, though I wished the narrative had focused on them a little more. At first, the two main characters seemed to much like science fiction archetypes, but they did grow on me as the book went on.

The plot, while not bad, was also a let down. After two or three chapters, I knew exactly how it was going to play out. There were a few things that seemed like they were meant to be surprises, but set up made them way too obvious.

The ending was exactly what I expected, though it came a little too easy so I was pulled out of the narrative wishing Talia had to work a little harder in that last chapter.

Despite its flaws, I did enjoy reading it, and like always, as a writer, I learned from reading and reviewing it. Finding the right balance between making twists too obvious or too shocking is tough. This book is a good example of leaning a little too much to the obvious. It is also a warning of the dangers of comparing a story to something it won’t quite live up to.

Had it been advertised as “Sleeping Beauty in Space with Salvagers Instead of Dwarfs” I might not have been so critical of the cast.

Check out a preview of Our Dark Stars here.

https://read.amazon.com/kp/card?asin=B0795VWGDC&preview=inline&linkCode=kpe&ref_=cm_sw_r_kb_dp_Lz4pBbWXRSF96&tag=shatteredsmoo-20

A few words about “Butter is Not a Dress”

I don’t write a lot of poetry, and I only share a fraction of what I do write. Every once and a while, I come up with a piece I am very proud of. One of those pieces is featured in this anthology.

When speaking with people, I struggle to express my gender identity and how I’ve always felt like I inhabited some space between man and woman. This poem explores that in the context of how it affects the way I dress, and the internal struggle I go through every time I change my clothing.

You can buy the paper back and kindle version on Amazon if you are interested in reading it along with other poems and stories.

 

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Book Review: Salt

SaltSalt by Hannah Moskowitz

My rating: 3 of 5 stars

Salt is an odd little book. I love the characters, but the plot and the world-building left me feeling a little cheated.

Indi is an orphan and a monster hunter, sailing with his older sister and two younger siblings, looking for the monster that killed their parents.

He is a well developed character with a lot of conflict and emotion depth. I enjoyed seeing the world through his eyes, courtesy of a first-person, present-tense narration, as he grappled with wanting to take care of his siblings and wanting to be free of them.

The siblings were also well developed. They seemed exactly how I would expect a group of kids who grew up hunting monsters at sea to seem. Their dynamics and banter were entertaining, and no matter how much they fought, they had an immense bond with each other.

The plot — the hunt for the monster and Indi learning his role with his siblings — started out okay but let me down in the end. At first, it was just little things.

The kids were sailing around Europe in an age where everywhere on Earth seems to have issues with undocumented immigrants and refugees, and no one caught or stopped them to ask for papers. Eventually, there was one mention of fake ID’s, and even later, fake passports. After that, maybe there was a mention or two of being undocumented and not wanting countries to know they are there. By the time these issues were minimally addressed, I’d already been pulled out of the story by them a few times. It was really too little too late, and since the book was so short, adding a layer of not being caught only would’ve helped.

How sex, alcohol, and smoking are portrayed in YA is important. I had no problem with the fade to black casual sex, but they could’ve mentioned a condom the first time and not waited until the second. Then there was an instance where Indi and his sister light up cigarettes and smoke. There is no apparent reason for it and it adds nothing to plot. All it seems to do is glorify smoking, which is something a YA book shouldn’t do. Alcohol, while mentioned casually, made sense. Sailors drink. They’re in Europe. They’re drinking sparingly. It’s minor and cultural — its well handled. The end of the book was not.

I love happy endings. I love it when the mc gets everything want and has potential for a happily every after, but those endings have to be earned. This book was working towards that, until the last 80% or 85%. The last sequence of events was too quick, too random, and too easy, so that the happy ending didn’t feel earned or real.

In spite of all that, I did enjoy the book. The prose, voice, physical setting and characters were beautifully written. I just got pulled out of the story a few more times than I would’ve liked, and felt let down by the end.

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Book Review: Mask of Shadows

Mask of ShadowsMask of Shadows by Linsey Miller

My rating: 4 of 5 stars

Mask of Shadows has been on my TBR list for a while, but it took being on a vacation in a cabin with no internet and inconsistent, minimal phone service for me to finally pick it up and dig in.

Why did I wait so long to read this? I have no clue.

Mask of Shadows has a well-executed gender-fluid character, a fascinating cast excellent world building, and a steady plot.

Most of the non-romance books I’ve read with this much LGBTQ+ rep have been from smaller publishers that specialize in queer fiction, and because they are small, have a limited reach. It was refreshing to read something like this from a somewhat larger publishing house.

The best part about the book are the characters. Sal had a fascinating backstory, and I enjoyed seeing the story’s world developed through the eyes of survivor and their who had their own set of morals — one that was different from mainstream society, but a code of morals nevertheless. I also loved that Sal’s fluid gender identity was what it was and didn’t have any major impact on the plot. The book was about a thief becoming an assassin. Not about being gender fluid. And it was refreshing to see that most of the other characters were so accepting.

Even though I didn’t get to see the world through their eyes, they other characters also had well-developed back stories. I knew just enough about them by the end to understand their motivations, complications, and why they did what they did, but not so much that it distracted from Sal and the plot.

The plot was decent, but not as good as the characters. I’m getting a little tired of reading books where the plots seem like lethal versions of reality TV shows: everyone is competing for ___, only one can get it, and either everyone else, or a lot of the other competitors, die. Hunger Games, Throne of Glass, and Ink and Bone are a few that follow this plot line.

While the tone and characters were very different, the concept of people competing to be a monarch’s assassin was extremely similar to that of Throne of Glass. However, there were some problems I had with Throne of Glass, that I didn’t have with this book. Explaining them would have some potential spoilers, so I’ll refrain. However, if you haven’t read either and only want to read one, Mask of Shadows is definitely the fresher take on the many competing in deadly game for one title trope. It has less cliches and more interesting characters.

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Five Friendly Places that Pay for Fiction

Finding a place to publish a short story can be intimidating. Submitting a story  I’ve poured my soul into out to a literary magazine is scary enough without worrying about what happens to it once it lands in someone’s slush.

And there are so many places that publish fiction. I have to think about things like what kind of stories the market publishes, how much it pays, what their response time is and whether or not they take simultaneous submissions.

There are many markets I send short stories to over and over again only to be repeatedly rejected, but I’ve had great experiences publishing with the following five markets. I’ve had at least one story accepted by each, and sent a second after publication. They are listed alphabetically.

  1. B Cubed Press not only published the most profitable anthology I’ve ever had a short story in, but it is run by an enthusiastic editor who cares about his authors as much as he cares about the quality of their stories.
    • Responsive: All submissions get a receipt confirmation so the writer knows the story isn’t languishing in email limbo. All submissions get a response once a decision is made. Editors periodically post updates on the BCubed Press Facebook Group. Most questions are answered promptly.
    • Strong Community: There is a Facebook group populated with an engaged community of writers who support each other and share ideas.
    • Short  Story Pay: $.02 a word advance + royalties and an e-book
    • Read B Cubed”s latest anthology “More Alternative Truths”
  2. Broadswords and Blasters
    • Responsiveness: Confirms receipt of stories, responds to all when a decision is made, and is known to give personal responses when time allows.
    • Active on Twitter: Broadswords and Blasters engages with authors and readers on twitter. When open for submissions, they use twitter to be transparent about their selection process. However the two things that impress me most are how supportive they are of their authors, and how quickly they are growing
    • Short Story Pay: $15 per story + an electronic copy of the issue
    • Read an issue here
  3. Fantasia Divinity
    • Responsiveness: Generally, emails get an auto response that confirms the submission was received and provides information about response times. Once a decision is made, all stories get a response.
    • Active on Facebook: Fantasia Divinity has a very active Facebook page where they share status updates about where they are in the process of getting a book or issue ready, cover art, and releases. If they get behind on their responses, they generally will post about it so waiting authors know what is going on.
    • Short Story Pay varies per project. Original stories accepted to the magazine receive ½ of a cent per word. Stand-alone pieces are royalties only. Anthology pay varies between the magazine rate and printed contributor copies.
    • Read an issue here
  4. Nine Star Press
    • Responsiveness: An auto response confirms receipt of stories, and once they receive a response email once a decisions is made. Most of the rejections they sent me have been personalized.
    • Strong Community: The NineStar Press authors Facebook group is a fantastic place to meet other writers, find critique partners, get advice about marketing stories and discuss your craft. They are one of the most supportive and generally awesome writing community’s I’ve had the chance to be part of.
    • Pay: Royalties + e-books.Note: While NineStar does publish short story anthologies, novelettes, and novellas, they are primarily a boutique novel publisher.
    • Read my favorite NineStar Press Novel
  5. Owl Hollow Press
    • Responsiveness: All submissions get a response once a decision is made. Every rejection I received from them was personalized.
    • Very Social: Owl Hollow Press is active on a number of social media sites like Facebook, Twitter, and Instagram. They are the only publisher I’ve worked with who has ever mailed authors free swag to use as promotional material. The bookmarks were very popular at work.
    • Short Story Pay: $50 per story + 1 print copy. OHP does publish novels, but  I think the pay (royalty rate and/or advance) may very from contract to contract.
    • Read their latest anthology here

If you choose to submit anything to any of these markets, please do your own research too. I did my best to provide accurate information, but these markets can update their rates and policies at any time. Plus, I’m human, which means I make mistakes. The publishing world is scary; these are just a few of many places I’ve had positive experiences publishing short stories with.

Read their guidelines carefully, and make sure they publish the type of story you are sending them. If you are unsure if a market is right, reading some of their published material is a good way to learn more about their tastes. Whether you read their previously published works or not, just please please make sure you follow their submission guidelines. I can’t count the number of I’ve times I seen editors stress how important this is.

B Cubed Press, Broadswords and Blasters, Fantasia Divinity, Owl Hollow Press, and NineStar Press are not the only markets I repeatedly submit to, but something about my experience with each was memorable enough for me to send them more work after they published the first accepted piece. Some of those submissions were accepted, but others weren’t. Of course, I won’t let the rejections stop me from sending these editors more stories in the future. They can’t get rid of me that easily. 😉

 

Book Review: Ardulum Third Don

Ardulum: Third DonArdulum: Third Don by J.S. Fields

My rating: 5 of 5 stars

Review coming soon4.5 Stars
Ardulum Third Don was the perfect ending to the trilogy. I can’t comment too much on why without spoiling it, so I’ll just that it came full circle and took Neek aka Atalant in a direction she never expected her life would go.

While the characters are entertaining with fulfilling arcs, my favorite part of this series is the science and how it intersects with a touch of the unknown — of something greater and more spiritual that is just beyond the reach of hard science. I love the idea of spaceships made out of cellulose, of highly intelligent fungi capable of taking down a fleet of spaceships and the sheer biodiversity of the beings in this galaxy.

The vastness of it was very well developed, though I will admit that I had a hard time orienting myself when I returned to book three. I read the first two books back to back, and then I had to wait several months for the third installment. This series is one best binge read.

There is so much to keep track of in the galaxy, but readers are gradually introduced to it in the first two books. I didn’t get lost in those at all. However, having forgot some of those details, trying to remember them, or having to look them up in the back of the book, did pull me out of the story. This is my fault as a reader though, not necessarily a flaw of the story.

The real reason I gave this 4.5 instead of 5 stars was because Captain K’s relationship with the Mmnnuggl was confusing. I did have a hard time following his relationship to them and their thoughts of him. I kept thinking there was an inconsistency but I couldn’t quite figure out what it was.

Otherwise, once I got back into the flow of the world, I was quite pleased with the overall experience, and very happy to see non-binary characters having adventures in space. There was a great balance of seriousness and humor, a touch of romance that didn’t overpower the plot, plenty of ethical questions to stimulate my mind, suspense, space battles, a great plot and characters I want to spend more time with.

This is a fantastic series. If you are starting from book 1, give yourself time to read the whole trilogy straight through.

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Like Birds is on Wattpad.

Copy of Like BirdsWattpad has fascinated me and scared me since I started getting serious about my writing. Even before I knew what it was, I liked the idea of serially posting a story online. The problem was, traditional publishing just holds too much allure.

Now that I have one book signed with a small press and another being subbed to agents, it’s safe to pull Like Birds Under The City Sky from my “shelf” of misfit manuscripts and share it with the internet.

It’s a story near and dear to my heart, one that explores the intersection of the LGBTQ identities and Christianity, but it is not a linear novel. It jumps time and tenses and points of view as Micah tries to reconcile his faith with his identity, and explores the hypocrisy of his parents while helping his boyfriend, Charlie, run from cyber spies and robots who want to pressgang him into service.

Every time I try to rein that jumping around in per beta reader feedback, it just doesn’t work. I still have two stories trying to be one. I still have a story that unfolds out of order.

And that is just how it has to be.

In my last revision, I tried to blend the feedback with want I want the book to be. I changed the format so it was told through blog posts, letters, journals and transcribed recordings.

Books like this do exist in print, but for now, I think this one is just better online. Readers don’t have to go through it in my recommended order, and don’t necessarily have to read the whole thing. Someone more interested in the realism of it can just read the parts set in Micah and Charlie’s past, and those who are more into the science fiction could just read about their present. Someone could read them in the order I’m posting them — the order I see the story unfold in, or read the chronologically.

Once the whole book is on Wattpad, I’ll post a few guides giving people navigation options, but those who read it while I’m posting it will see it in the order I do.

I considered building a website to post it on, but decided Wattpad would work fine since it is free, has readers, and an established community. I still have a lot to learn about Wattpad, but I’ll work through that as I go, and hopefully, once I get a chance to participate, I’ll get feedback from the community.

The first three sections are up now, and I plan to post one or two a week over the summer until they are all online.

This will be an interesting experiment, and I hope the right readers do find this story.

If nothing else, I’m sure I’ll learn something from it, and like I did with my failed attempt at crowdfunding a book, I’ll blog about those lessons as I learn them.

Since there is no money involved in this summer’s experiment, I suspect it will turn out better than my foray into Publishizer did.

https://embed.wattpad.com/story/148624059