IWSG Day: Chemical Language

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The first Wednesday of every month, the IWSG posts an optional question, encouraging members to read and comment on each other’s blogs.

April’s Question is:

What was an early experience where you learned that language has power?

 

 

The word “chemical” has a lot of power. As a kid, it was a word that induced fear or panic. Chemicals were bad smelling things used to clean or dangerous things used in science labs.

I believe I was in fifth grade when I had a science teacher who blew my mind by telling the class things like some of the juices and sodas we drank were technically chemicals. She said that even water was a chemical.

I remember a brief moment of fear, then realizing that the word “chemical” had a much broader meaning than I originally thought.

Today, I looked up definitions of chemicals, here are some of the results I got:

OxfordDictionaries.com

“A distinct compound or substance, especially one which has been artificially prepared or purified.”

Dictionary.com

Wikipedia

“A chemical substance is a form of matter having constant chemical composition and characteristic properties.[1][2] A chemical substance cannot be separated into its constituent elements by physical separation methods, i.e., without breaking chemical bonds.[3] Chemical substances can be simple substances[4]chemical compounds, or alloysChemical elements may or may not be included in the definition, depending on expert viewpoint.[4]

Basically, almost anything is a chemical. Some of the definitions mention artificially prepared substances or those used in a chemical process, but nowhere do they say it is exclusive to those things. However, these elements of the dictionary definitions do have a stronger connection to the perceived definition of the word than the more scientific definition on wiki.  (I know isn’t always the most credible website, but I included it anyway because the definition there echoed what I’d hear before. Plus, sometimes I trust the internet hive mind more than random website put up by individuals).

The word chemical, at its core, really doesn’t tell you much about something. It’s as general a term as material or substance. However, if I went up to someone and asked if they wanted to drink a chemical, they’d probably look at me like I had twenty heads.

This always reminds me how a words literal meaning and the meaning it carries for individuals within a culture or society, can be different things and can affect the power and effects that the word has.

Last night, I was reminded how chemical’s connotation can spread fear and panic, even to people who are aware of the words denotative meaning.

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capsized barge

The lake I live on was getting an being treated with alum, which will bind excess nutrients, specifically phosphorus, and reduce the amount of cyanobacteria blooms in the lake. The barge carrying the alum capsized.

 

The whole neighborhood was out watching the ensuing spectacle of trying to flip the barge back over and drag it to shore. The more people threw around the word “chemical” the more nervous people got. By the end of the night, there was a post on Facebook claiming “Time to take a stand merrimac this company the town hired just flipped the boat carrying 1500 gallons of environmental hazardous materials” The language in this post in powerful in a negative way. It uses words whose connotative meaning scares people with a call to action based on false information.

 The town did not hire the company when in reality, the lake association did the hiring, and the funding came from two towns, association fundraisers, and an EPA grant.  The materials were going into the lake anyway, and at the time this was posted, the tanks had not been recovered, so no one actually knew how much of the alum, if any, had actually spilled. The hazard was that the alum and the chemical used to balance the ph might not have spilled in the same proportions they would be put into the lake in. Some of the older, weaker fish might die — the same fish that would probably die when the water temperature rose and the oxygen levels declined in the summer. 

However, the person who posted this didn’t care about truth. The language in this is intended to scare and aggravate people. In Merrimac, residents are facing tax hikes because of a new school and a new police station. This person used language and misinformation to try and decrease people’s confidence in the town’s decision making abilities when it comes to spending money and hiring contractors, probably trying to get people to oppose the necessary but expensive new school.

When I log onto the town Facebook, I often find myself wondering how much thought people actually put into these posts. How much of it is careless and unfiltered, and how much is calculated lies and word choice people use to further their own, small-town political agenda?

I’ve also noticed that the tone these malcontents use in their town-related posts echoes that of some politically conservative relatives and twitter trolls. However, detailed analysis of the language used in social media forums is content for a completely different post.

What I hope readers take away from this post is that often, the connotation of a word lends it far for power than its denotative or literal meaning.

The difference between chemical’s connotative and denotative meaning surprised me when I was a child, but it was something I didn’t really think much about it until last night when the word “chemical” was spreading fear throughout my neighborhood.

Chemical may have been an accurate term for the contents of the tanks, but saying “substance” or “material” would have been accurate too, and they would not have conjured the same fear as chemical did. Even using the name of the chemical might have caused less fear.

The words and language we use are as important and influential in our interactions with our neighbors, friends, and family as they are within our writing.

Can you think of any words whose connotative meaning evokes fear?

IWSG April: Wishful Writing

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If you could use a wish to help you write just ONE scene/chapter of your book, which one would it be? (examples: fight scene / first kiss scene / death scene / chase scene / first chapter / middle chapter / end chapter, etc.)

For me, this would be the first chapter. However, I wouldn’t use the wish to help write it. I’d use the wish to help revise it.

Writing a first draft of a first chapter is a blast.

It’s like standing at the base of  trail I’ve never hiked. The sun is out but there is a cool breeze. I have a map. I have ample snacks and water for both me and my dog. It is going to be an awesome day even if I am going to be gaining about 1,000 vertical feet per mile.

The first chapter is just that first stretch of trail when I am full of energy, when I’m practically running, wondering just how long it will be before the trail gets steep and I hit a scramble.

IMG_1365.jpgThe whole hike up is the first draft of the manuscript. It’s hard work, but it is the kind that gets the adrenaline going and results with a breathtaking view.

I can’t stay at the summit forever. Eventually, I have to come down.

Often, when hiking in New England, the steepest scrambles are close to the summit. They’re my favorite part to go up and my least favorite to go down.

I can just see myself on my way down Killington. I’m a little ways down from the summit, standing on a slab of granite, staring straight down a ravine thinking,
“Did we really go up that? Do I have to go back down that way?”

I’m exhausted. My spouse is exhausted. The dog is exhausted. The dog, who was like a brilliant mountain goat on the way up, needs assistance going down the steep sections.

For a minute, I just stand there wondering what the heck I was thinking. I curse myself for picking an out and back trail and for being so obsessed with scrambles in the first place. But then I think about how much fun I had, how worth it the view was, and of how many times I have done this before on other mountains.

Then, after I’ve planned a way down in my head, my spouse and I slowly work our way down, helping the dog when necessary.

It’s the most difficult and nerve-wracking part of the hike. It’s the one part I would skip if I could magically do so. It reminds me a lot of revising my opening chapters.

As fun as the first draft was, I never start the book in the right place, and fixing that is never as simple as just deleting a chapter or several chapters. It’s deleting a whole chapter and replacing it with something else and then rewriting it, deleting it, and replacing it. Once I find something that works as a concept, then I still have to fine tune it over and over.

For current WIP, I haven’t revised the opening chapter four times. I’ve written four completely different opening chapters, and that isn’t counting all the false starts I had while trying to get the first draft going.

So if I could use a wish to help me write a book? I would use that wish to revise my opening chapter.

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Settings and Urban Fantasy

Some of the books that made me fall in love with the genre of urban fantasy were set in actual cities, or I guess, technically, they’re not really those cities but alternate magical versions of them.  The Dresden Files was set in Chicago and Greywalker was set in Seattle, so I when set to write urban fantasy, I also choose to set my books in alternate magical versions of real places.

I the case of Power Surge, it was Portland, Maine.

As a reader, I prefer urban fantasy settings grounded in the real world, but not fully limited by it. I want there to be some recognizable landmarks for the city the story takes place in, but I also don’t want the setting to adhere to strictly to reality because then it doesn’t feel enough like fiction.

I write the type of books that I want to read. So when I write urban fantasy, there are usually some landmarks with real life counter-parts that exist along side a plethora of completely made up ones.

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Portland Head Light

In Power Surge, the school Erin and friends attended was completely fictional, but one of the battles happens at Portland Head Light. The characters go in made up shops and restaurants, but those are within the confines of Portland.

I don’t put actual business in the story, though generically named places often bear some resemblances to my favorite eateries even if that was never my intention.

Good food sticks in my unconscious, and writing first drafts is a lot like dreaming.  The worlds of my urban fantasy novels wind up littered with almost-Doppelgängers of my favorite restaurants.

Legal and ethical issues aside, I don’t use exclusively real settings because I feel too limited if I can’t completely make up certain aspects of a place, like the staff, the decor, and the restrooms.

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A street in Portland, ME, similar to one Erin and Sam walk down in Power Surge.

However, a recent afternoon spent in Portland reminded me this balance is a tricky one to maintain, and I didn’t do quite as a good a job with it in Power Surge as I thought I did.

I’d been to all places that inspired my setting many times before I wrote the scenes that happened there. Years ago, shortly before and while I was working on early drafts, I frequented downtown Portland as well as the beaches and light houses around it.

Unfortunately, there was a large gap between those visits and the final revisions and edits of the book.

Google maps, even on satellite view, is no substitute for actually going to a place, walking around, taking pictures, smelling it, hearing it, and taking it all in.

I’m certain that in the early drafts, my description of places with real life counterparts, the ones that ground the fantasy, were very accurate. I’m not so sure I’d say that about the final version. I’m not way off, but when I think about how I described Portland Head Light and Crescent Beach, I realize I made them to small. I didn’t take the parking lot gates into account when my characters visited at night.

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Parking lot a Crescent Beach

How did this happen?

I revised my descriptions of the “real” settings the same way I revised descriptions of fictional ones, and wasn’t careful enough to make sure I was staying true to the place.

To readers who have never been to the places in the book, it won’t matter. However, if someone who frequented them picked up, I fear some inconsistencies with reality might yank them out of the narrative.

“That parking lot is way bigger than you described!”

“If it was ten at night, the gate would have been closed.”

This is the danger of mixing actual landmarks in fiction. You may start with a light house or beach readers could visit, but if you are not careful enough, you may edit that place away from it’s real life counterpart without even realizing it.

In some ways, that is for the better. I’m writing fiction, and no matter how much the Portland Head Light in my book may or may not look like the real thing, at most, it is a Doppelgänger. The setting of the book isn’t reality but an alternate version of it. Still, I don’t want to confuse or alienate local readers.

I’m not sure if I’ll change how I handle settings in urban fantasy, but I need to be more careful. I need to approach revision differently in those sections. I need to really be aware of how much time messes with my memory.

Have you ever used real cities or landmarks in your books? Why or why not?

Want to read a dark urban fantasy novel about demon hunters in an alternate Maine? Click here to buy a copy of Power Surge!

IWSG Day: Hero, Villain, Perspective

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The first Wednesday of every month, the IWSG posts an optional question, encouraging members to read and comment on each other’s blogs.

March’s Question is:

Whose perspective do you like to write from best, the hero (protagonist) or the villain (antagonist)? And why?

My favorite characters to write are the ones who are both hero and villain.

Power Surge is a great example of this. The whole book is from Erin Evanstar’s point of view, and the conflict with the most tension is Erin versus Erin.

Technically speaking, there is mysterious demon stalking Erin who eventually plays the role of the villain Erin has to fight. But honestly? For most of the book, Erin is in more danger of hurting  themself than they are of being seriously wounded or murdered by the demon. After all, the demon wants to capture Erin alive, and while it isn’t shown on the page, readers know that Erin has attempted suicide at least once in the past two years.

Danger factor aside, the demon villain isn’t on page as much as a villain should be and doesn’t take as much action as a true antagonist would. He’s not even the real big bag behind the apocalypse, but an agent of that big bad.

Power Surge QuoteErin is their own antagonist.

In the relationship subplot between Erin and José, Erin is the biggest obstacle Erin has to overcome. José isn’t perfect. He says and does some stupid things because he is a mess, but inside, he really is a sweet guy who selflessly loves Erin. As much as Erin loves him too, there are times where they treat him horribly. If the relationship is going to work, Erin needs to defeat Erin.They need kick their dark, selfish side’s ass.

I have written heroes who are actually decent human beings and have actuall villains to defeat, and I’ve enjoyed writing them, but not as much as I’ve enjoyed Erin and other characters like Erin. I love the necromancer, succubus, troll, and human-eating alien farmer that have doubled as antagonists and protagonists in my short stories.

I think I know why.

The stories and characters I become the most invested in are the ones inspired by my fears. There are plenty of things I’m afraid of. Serial killers, bad dog owners, parking garages at night, elevators, crowds, sexual predators, and the dark are just a few items on a long, long list.

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But the darkness I fear most is the one that quietly lurks inside of me. What would happen if it got too loud? Who could I hurt? What lines would I cross? Would there be any chance of redemption?

I write this darkness into my characters. I make it worse. I give them less self control. I make their upbringing rough and filled with tragedy and a lack of good mentors, and with things I imagine would have pushed me over to the dark side.

Soon enough, the characters take on a life of their own. When I start to get that feeling that they are growing independently of me and making their own choices, it is time to get plotting.

I want to see how long they can hold their own darkness off for. I want to see what happens when they fail. What lines will they cross? Can they come back once they cross those lines?

Interested in Power Surge?
Get the ebook  for $3.25: http://bit.ly/PSSmash

IWSG Blog Hop: Creative Outlets

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The first Wednesday of every month, the IWSG posts an optional question, encouraging members to read and comment on each other’s blogs.

December’s Question is:

Besides writing what other creative outlets do you have?

Other than writing, photography has been my most consistent creative outlet. I loved taking pictures even when all I had was a disposable film camera.

I remember having at least one 35mm and  one 110 film camera as a child. I can’t quite picture the 35mm, but the 110 was long and silvery. I was fascinated by my mom’s polaroid, and eventually, she bought me a couple kid-friendly instant cameras, one of which printed the pictures on stickers.

When my mom started selling antiques on Ebay, she bought a digital camera so she could photograph the objects she sold. When one camera would get old or become obsolete, I remember being able to use that to take pictures of and with my friends instead of my instant cameras.

I loved how digital cameras gave me the chance to see the picture right away without wasting material. If the picture didn’t come out right, I knew immediately. I could delete and retake it. This took away the stress of wasting material because of a mistake and I loved photography twice as much. Now, this is something I take for granted every time I pick up my camera.

I have to sit and think to remember what it was like to not really know if the image was going to be underexposed or blurry until it was developed. It’s hard to remember what it might have felt like to know I wasted material when an instant from my polaroid came out blurry too dark.

These days, the only images I print at all are my favorites.

Much like writing, photography is a medium of story telling with drafts, revisions, and edits.

Simply snapping a picture might be enough to just say “I was here.” Sometimes, that is enough. Other times, I might photograph the same scene or object over and over again at different angles and shutter speeds so I can tell a more detailed story. “I stopped to gawk because this caterpillar because those stripes are fascinating.”

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I’ve never had the patience to really learn how to make the most of my camera’s manual settings, so often, when I get home and load my images to the computer, they fall short of my expectations and I end up in photoshop adjusting exposure and color balance and adding filters.

Sometimes, when I really want to tell a story without words, I’ll let my imagination run wild while I merge and blend different photos into something so strange and abstract that it might be some kind of art.

Mostly, photography and photo editing are hobbies, but I’ve been dabbling in cover art, and that, my friends, is paid work. It means getting paid to tell a visual story. It’s writing with pictures. Well, maybe more like writing a book blurb with pictures.

Some of my favorite photos:

A Reflection on My Reaction to My First Negative Review

Note: As you read this post, you may notice I’m vague about the content of the review. You could probably go on Goodreads and figure out what I’m referring to, but I don’t want this to be seen as a response or rebuttal to the review. My goal is to capture my thought process as a new author seeing a negative review of their first novel.

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At some point over the past day, Link’s face was an accurate reflection of how I felt.

Up until this week, all the reviews that I’d seen for Power Surge have been positive, which of course, made me skeptical. Inevitably, someone was going to burst my bubble.

It finally happened. Someone who didn’t finish the book left a review without a rating.

I disregarded advice I’ve heard across the internet and read the review. I’m glad I read it, even if I was surprised by my reaction.

At first, my brain processed it like feedback from a CP or beta reader. I had to squash my instinct to explain why I wrote something the way I did, and then I had to squash my urge to reply thanking the reviewer.

I thought about what I could’ve changed in a scene the reviewer alluded to. I came to the conclusion that in general, I need to be more careful about how my main character and my narrative voice react to characters who say problematic things or hold problematic opinions.

After a day, I realized that in my mind, the review had shifted from what it actually was something completely different. I had latched onto to a specific phrase the reviewer mentioned and made the whole thing about that scene.

Early in the morning when I just wanted to go back to sleep, I took it personally, as if the characters flaws were my own.

I realized one assumption the reviewer made was literally wrong.

I thought that it was the only review people are going to pay attention to. No one else would buy my book. No agent or publisher will represent future works of mine.

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The Meowditor-In-Chief is good at keeping me from writing things I shouldn’t. Sometimes.

I thought the reviewer was wrong. I thought the reviewer was calling me out on an important issue. I wanted to thank them. I wanted to argue. I wanted respond, to know more, but I didn’t because writers need to leave readers and reviewers alone.

Instead of  filing the feedback aside for future work and moving on, as you can see, I obsessed over it.

But something good did come out of it.

It reminded me that just says they don’t like a character or can’t connect with a character in a published work, I’m shouldn’t think much of it, especially when I know other readers have connected to that character. That type of thing is subjective and varies from person to person.

If a character makes someone uncomfortable? That’s okay. I’ve read books with characters that made me uncomfortable too, but that didn’t mean that book was bad.

Different people react differently to different characters. A good chunk of this bad review was based off of things I think of as subjective, and some assumptions the person made because they stopped reading too soon.

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The Meowditor-In-Chief does not approve of something I wrote.

However, when I see a reviewer mention something harmful, like misogyny,  it is worth reflecting on. The reviewer mentioned a phrase a character used in a scene, and I think I could’ve done a better job showing the main character and the narrative voice’s disapproval of that attitude.

Now, that might not have fixed it for the reviewer, who might have perceived an overall tone that I’m somewhat oblivious to, but to me, that change would’ve helped.

If a reviewer calls an author out on problematic or harmful ideas, then the author needs to listen. They need to take that into account and reflect. Maybe the reviewer is onto something. Maybe they are misconstruing it or their reading is being influenced by some outside factor. Either way, it’s something for me to keep in the back of my head when I’m revising the sequel and other works, especially since I do tend to include characters who hold problematic opinions or say harmful things in some of my works.

Sometimes those characters change.

Sometimes I kill them.

Sometimes they don’t actually mean the things they say, but feel they are expected to act that way fit a certain mold…or they are just trying to piss someone off.

In future science fiction and secondary world fantasy, I’m open to leaving those characters out and writing about societies that have out grown a lot of the problems that plague Earth today. On the other hand, when I write books like Power Surge, urban fantasy with a contemporary setting, the nasty side of present-day humanity rears it’s ugly head.

Sometimes problematic ideas creep in unintentionally, stemming from things I may not realize I internalized. Other times, I think I am deliberate exposing the dirt and raking up the muck, yelling “Look! This is a problem! Do you see why?”

I need to careful that the narrative voice isn’t endorsing their harmful words and to remember that silence equals endorsement. I need to acknowledge that some readers don’t want to see certain harmful concepts represented on the page in any way, shape or form, and that if those readers pick up a book like Power Surge, they might have a problem with.

Books that ignore problematic concepts and try to show us a better way to live and think and act are incredibly important. Books that get messy and roll around in humanity’s, books that acknowledge harm ideas and punch them in the face are also important.

Reading a critical review of my book ended up being a thought provoking excercise that was worth the stress it created.

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Sometimes, I just need to keep swimming against the current, whether it is made of rejection, reviews, or anxiety.

If you are interested in reading Power Surge, for yourself, here are some buy links.

Amazon: https://amzn.to/2TodlCV

Barnes and Noble: https://www.barnesandnoble.com/w/power-surge-sara-codair/1129616729

NineStar Press: https://ninestarpress.com/product/power-surge/

Book Review: The Winter of the Witch

The worst thing about The Winter of the Witch by Katherine Arden  is that it means the series is over. I could read another trilogy about Vasya and Morozko even though this book clearly wraps up the conflicts that began in the Bear and the Nightingale.  Now, before I wind up spoiling something, I’ll get on with my review.

The strongest features of The Winter of the Witch are definitely the characters and world building.

I love how Vasya resists the gender roles of her time, how she grows into herself and figures out who she really is. Her persistence, pain, wildness, courage, and dedication are tangible things. I loved struggling and succeeding and navigating a myriad of complicated relationships through her point of view. Morozko was my second favorite character, perhaps made more intriguing by the fact that readers really did not get to see much from his point of view. The others were okay, but every time the narrative shifted to them, I just wanted to get back to Vasya.

I did find myself annoyed at the way the book shifted point of view. This varies from reader to reader, but I prefer to read from one point of view for a whole chapter and get annoyed when scene breaks indicate a switch in point of view. On more than one occasion, I found myself rereading to remind myself which character’s eyes the world was being filtered through.

The world building was fantastic. I was smelling, tasting, touching, seeing, and hearing right along with the characters. And it wasn’t boring or overwhelming. Every detail Arden chose to focus on was relevant and added to the tone or mood of the scene. I loved that the magic system and creatures were based off of actual myths, and that some of the characters were named after people who actually existed and fought in a battle the one in the book was based off of.

One downside of historically accurate fiction is that it is often loaded with sexism and misogyny the contemporary world is struggling to shake. Throughout this trilogy, were there was no shortage of sexist men treating woman like inferior beings or objects. However, I was happy  that there were less of those in this book and that Vasya had earned the respect of men who previously looked down on her.

As much as I enjoy escaping to worlds without sexism, to worlds where gender isn’t a rigid binary thing people are judged by, I do believe there is plenty of room for those books to co-exist with novels like this that don’t censor the shitty parts of history. Historical fantasy has it’s value too. It makes me appreciate how far society has come.I’ll certainly miss Vasya, Morozko, and their complex, slow burn romance, but I’ll look forward to reading whatever Arden writes next.

Click here to buy The Winter of the Witch by Katherine Arden

Book Review: The Disasters

The Disasters  is a treasure. After the last future-set, sci-fi book I read, The Disasters was like a breath of fresh air.  The Disasters had  a narrative kept me glued to kindle, only taking a breaks to do necessary things like eat, use the bathroom, and walk the dog until the book was done.

Thankfully, I’m a fast reader, and this was a fast book (in a good way).  

So, what is the story?

A group of teens who just failed out of an elite space academy survive a attack that takes out their classmates, flee the system, and fight to stop the terrorists from killing more people.

Said group of teens is pretty awesome.

The narrator, Nax,  is a bi pilot coping with anxiety from a wreck he was in a few years ago. I loved seeing how he decided to say things that made him seem like a classic, cocky, hotshot pilot while being very scared and insecure.  I was rooting for him from the start, and loved his interactions with a crew that was diverse in terms of gender, sexual orientation, race, and nationality.

Terrorist attack aside, this future was super optimistic.

For the most part, humans weren’t fighting each other. There was peace on Earth and in the “the colonies.” Most people were getting along…except for this one group that wanted to kill everyone…but that group was a small portion of the population. Most groups got a long way better than they do today.

The word “colonies” made me cringe a little the first time I saw it on the page, however, it’s un-inhabited planets, not cultures and people, that are being colonized. This universe is similar to the one Firefly was set in, where humans have found habitable worlds and terraformed others to make them habitable, but have not yet discovered other sentient life in the galaxy.

I also loved how the book handled diversity. It wasn’t about diversity. It wasn’t about being bi, muslim, trans, black, gay, white, or straight. It was about teens trying to save the galaxy. Their identities were part of them, added richness to their personalities, made them unique, and made them feel real. The book gave me hope that one day, things like racism, transphobia, islamophobia, and  homophobia will be things of the past. This future is the kind I seek out in science fiction.

I’ve read books like this before, that do all the amazing this one does, but most of them have been from small presses. I’m happy to see that larger publishing houses are finally catching on.

Next time you are in the mood for some great science fiction,  read The Disasters! 

2018 Publication Round-up

2018 is just about over, and while it may not have been my most fruitful year for producing new work, it was a fantastic year for publishing. My first novel was published. My short fiction and poetry appeared in nineteen publications

Of all of these, my favorite is my novel, Power Surge. For short stories, I’m most proud of “Ink and Ash” in The Society of Misfit Stories.

For flash fiction, it’s a tie between “You Won’t Believe How This Creature Changed Their Lives!” in Vulture Bones and “Roots” in The Cascadia Subduction Zone.

“Butter is Not a Dress” in Hashtag Queer Anthology Series is the best poem I have ever written!

If you’re looking for pieces to nominate for awards, check those out! Below is a roundup all of my 2018 publications, including cover art when applicable, links, and a short blurb for each story.

January 22:

“It Sucks to Be a Succubus” in Unnerving Magazine.

A succubus tries to have a fun night out without killing anyone.

February 6:

“Snow Fox” in Once Upon a Rainbow Volume Two

 Jealous Queen E’s attempts on Snow Fox’s life are trending.

March 5:

“The Blind Girl and the Troll” in Asymmetry.

A troll hungry troll decides to aid a refugee instead of eating her, and it alters the state of his existence. 

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March 21:

“Thunder Cars” in (Dis)Ability Short Story Anthology

Food shopping with anxiety is like weathering a storm.

April 3:

“Liberty Underground” in Teach. Write.

There is more to this seemingly haunted house than meets the eye.

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“You Won’t Believe How This Creature Changed Their Lives!” in Vulture Bones

Two siblings find a magical creature. 

May 31:

Dragon’s Bane” in Menagerie de Mythique Anthology.

Not your average dragon hunter

June 20:

“Gala Down” in Drabbledark

Politics and food don’t mix well.

June 22:

“Butter is Not a Dress” in Hashtag Queer Anthology Series

A poem about gender identity and clothing.

Screen Shot 2018-12-29 at 8.44.12 PM.pngJuly 23:

“Roots” in The Cascadia Subduction Zone

Home isn’t always the house you live in.

July 31:

“The Debutante” in Fantasia Divinity Magazine

A steampunk match-making AI. 

August 30:

“Djinn and Tonic” and “Surviving Seaglass” in Chronos

Two speculative drabbles that explore how supernatural being perceive time.

September 19:

“The Omen” in UnSung (Better Futures Press)

*There is no link to this one because shortly after publication, the publisher appeared to have folded.

September 20:

“A Kitten for the Kelpiecorn” in Four Star Stories.*

A kelpiecorn adopts a kitten.

*The issue it appeared in is no longer available and has yet to appear on the sites archives page.

October 1

Power Surge (The Evanstar Chronicles)

Being hunted by demons isn’t the worst part; it’s the lies.

October 14:

“A Curious Case in the Deep” in Broadswords and Blasters.

Two brave ocean explorers make an unexpected discovery.

Screen Shot 2018-12-29 at 9.17.20 PM.pngNovember 6:

“Piggish Persistence” in Empyreome Magazine

One magician tries to subvert the pharma-guild’s control on the medical. potions industry

November 1:

“Denial and Acceptance” in Trump Fiction: ECR Special Edition

Aliens invade in the final days of the Trump administration.

Screen Shot 2018-12-29 at 9.21.06 PM.pngNovember 12, 2018:

“Ink and Ash” in The Society of Misfit Stories

When the government outlaws the use of wands in magic, two siblings find themselves on opposite sides of the law.

November 30, 2018:

“Behind the Scenes” in Unrealpolitik

Werewolves play an important role in the National Park Service’s future.

 

IWSG: Five Objects in my Writing Space

December 5 question – What are five objects we’d find in your writing space?

My writing space changes with the season. April through September, I wrote on my screened-in-porch, or, on really nice days, the picnic table by the lake.

 

IMG_0594
Tavi thinks he is a cat

When heat becomes necessary, I move to the kitchen table. No matter which space I’m using, my laptop is always there because it’s what I write on. For the sake of this list, I’ll focus on things unique to the space.

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The Meowditor-In-Cheif is hard at work

Winter Space (aka a mess)IMG_1789

  1. Teapot.
  2. Blanket.
  3. Salt Shaker
  4. Dog Bowl
  5. Cat’s Brush

Summer Space (aka heaven)DSC_0771.JPG

  1. Beach Towel
  2. Pitcher
  3. Notebook
  4. Sunscreen
  5. Chuck-it toys

No matter where I am writing, Goose the Cat aka The Meowditor-In-Cheif, is near-by. He likes to the delete words. Nothing is allowed to be fluffier than him.