Space Opera was a strange book that seemed to break all the rules. Even though the end was slightly anticlimactic end, it was an enjoyable ride. However, it did take me while to get into. This was not the kind of book I got sucked into right away and read in a few hours.
The long rambling yet slightly lyrical sentences combine with a snarky, intentionally all over the place omniscient narrator made it hard for me to engage with the character. I didn’t always care what happened X many years ago and just wanted the narrator to hurry up and get back to focusing on one characters. Granted, there were plenty of times I enjoyed all the world building and back story, I just could have done with a teeny tiny bit less of it.
The characters were fascinating, both the humans and aliens. They were colorful, lively, and flawed.
I expected this to have me laughing constantly, and while it was funny, I think some of the jokes went over my head.
With all the backstory of the world and characters that was given, I thought it was all going to come together in a spectacular way. And it did come together, but I was a little let down.
Space Opera was entertaining. Sometimes it made me laugh, other times it made me think. However, it failed to hold my attention for long periods of time.
I received a copy of “Our Dark Stars by Audrey Grey and Krystal Wade on NetGalley in exchange for a fair and honest review. A combination of the cover, the pitch “Firefly meets Sleeping Beauty” caught my attention, so I requested the book. I enjoyed reading it, though I don’t think it lived up to being compared to Firefly.
The chapters alternate between Will and Talia’s points of view. Will is captain of a scavenger ship trying to regain his place in the military after letting a rebel ship getaway. Talia is an exiled princess who spend 100 years in a cryo-pod after her family was defeated by rebel mocks. The mocks are androids whose artificial intelligence evolved until they were sentient, human-like beings.
As Will decides what to do with Talia and she comes to realize that the roles of humans and mocks have reversed in the past 100 years, the book did raise some interesting questions about AI and ethics, contributing to a conversation science fiction novels have engaged in for decades. While I enjoyed that aspect of the book, I was a little let down by plot and character.
Talia was too much of a cliche modern princess — arrogant and tough. Will was also a stereotype captain who didn’t quite have the same vibrant personality as someone like Mal or Han Solo or Peter Quill. His crew was interesting, though I wished the narrative had focused on them a little more. At first, the two main characters seemed to much like science fiction archetypes, but they did grow on me as the book went on.
The plot, while not bad, was also a let down. After two or three chapters, I knew exactly how it was going to play out. There were a few things that seemed like they were meant to be surprises, but set up made them way too obvious.
The ending was exactly what I expected, though it came a little too easy so I was pulled out of the narrative wishing Talia had to work a little harder in that last chapter.
Despite its flaws, I did enjoy reading it, and like always, as a writer, I learned from reading and reviewing it. Finding the right balance between making twists too obvious or too shocking is tough. This book is a good example of leaning a little too much to the obvious. It is also a warning of the dangers of comparing a story to something it won’t quite live up to.
Had it been advertised as “Sleeping Beauty in Space with Salvagers Instead of Dwarfs” I might not have been so critical of the cast.
Review coming soon4.5 Stars
Ardulum Third Don was the perfect ending to the trilogy. I can’t comment too much on why without spoiling it, so I’ll just that it came full circle and took Neek aka Atalant in a direction she never expected her life would go.
While the characters are entertaining with fulfilling arcs, my favorite part of this series is the science and how it intersects with a touch of the unknown — of something greater and more spiritual that is just beyond the reach of hard science. I love the idea of spaceships made out of cellulose, of highly intelligent fungi capable of taking down a fleet of spaceships and the sheer biodiversity of the beings in this galaxy.
The vastness of it was very well developed, though I will admit that I had a hard time orienting myself when I returned to book three. I read the first two books back to back, and then I had to wait several months for the third installment. This series is one best binge read.
There is so much to keep track of in the galaxy, but readers are gradually introduced to it in the first two books. I didn’t get lost in those at all. However, having forgot some of those details, trying to remember them, or having to look them up in the back of the book, did pull me out of the story. This is my fault as a reader though, not necessarily a flaw of the story.
The real reason I gave this 4.5 instead of 5 stars was because Captain K’s relationship with the Mmnnuggl was confusing. I did have a hard time following his relationship to them and their thoughts of him. I kept thinking there was an inconsistency but I couldn’t quite figure out what it was.
Otherwise, once I got back into the flow of the world, I was quite pleased with the overall experience, and very happy to see non-binary characters having adventures in space. There was a great balance of seriousness and humor, a touch of romance that didn’t overpower the plot, plenty of ethical questions to stimulate my mind, suspense, space battles, a great plot and characters I want to spend more time with.
This is a fantastic series. If you are starting from book 1, give yourself time to read the whole trilogy straight through.
I received a free, electronic copy of Dalí from NineStar Press in exchange for an honest review.
I admit, I haven’t read much space opera, if any, since Karen Traviss stopped writing for the Star Wars franchise. I stuck to fantasy, and to science fiction that did not involve space travel because nothing quite compared to the Star Wars universe and the 40+ books I had read in it.
Dalí restored my faith in that particular sub-genre. The world building was exquisite, and done so smoothly that it did not distract from character development and plot. There was just enough description to help me picture the world, but it was concise and didn’t slow the story down. But most importantly, the characters were alive, diverse, fluid, and complex.
I am envious of Dalí’s ability to change gender to suit the their mood or the situation but remain neutral when they are just being theirself. I have a soft spot for characters that do not conform to the binary gender, and for characters that bounce back from trauma.
All that I mentioned above combined with the fascinating galaxy and the well woven Princess Bride references made this book a definite five stars.
There is so much more explore with this galaxy and its characters. I really hope this becomes a series!